1 00:00:38,806 --> 00:00:41,041 [WHISPERING] Can you hear me? 2 00:00:47,181 --> 00:00:49,217 Telling lies? 3 00:00:58,192 --> 00:01:00,561 Do you wanna know? 4 00:01:12,906 --> 00:01:14,408 Come on. 5 00:01:20,214 --> 00:01:23,784 Come on. Do it. 6 00:01:28,322 --> 00:01:31,058 [THINKING] I'M A GIRL WITH A PROBLEM. 7 00:01:31,058 --> 00:01:33,194 IT'S NOT LIKE I DON'T KNOW BETTER. 8 00:01:34,695 --> 00:01:36,597 BUT I SEEM TO HAVE GOTTEN MYSELF INVOLVED 9 00:01:36,597 --> 00:01:40,401 IN A VERY TEMPTING SITUATION. 10 00:02:27,548 --> 00:02:30,851 * FORGET THE LIES * 11 00:02:30,851 --> 00:02:32,853 * CAN YOU HEAR THEM? * 12 00:02:32,853 --> 00:02:35,055 * THEY TALK ABOUT US * 13 00:02:35,055 --> 00:02:36,924 * TELLING LIES * 14 00:02:36,924 --> 00:02:40,060 * THAT'S NO SURPRISE WHOA, SEE THEM * 15 00:02:40,060 --> 00:02:42,129 Jones: I DO KNOW BETTER. 16 00:02:42,129 --> 00:02:45,399 SOME THINGS ARE HARD TO RESIST. 17 00:02:45,399 --> 00:02:49,002 SEE MY PROBLEM? 18 00:02:49,002 --> 00:02:50,804 YOU LOOK GREAT. WAS I RIGHT? 19 00:02:50,804 --> 00:02:52,840 THIS IS COMPLETELY WASTED ON THE LIBRARY. 20 00:02:52,840 --> 00:02:55,175 YEAH, I KNOW. I GOT YOUR NOTES. VERY AMUSING. 21 00:02:55,175 --> 00:02:56,344 CAN I GET ONE? 22 00:02:56,344 --> 00:02:58,546 YEAH. I THINK IT'S SO ADMIRABLE 23 00:02:58,546 --> 00:03:00,548 THAT YOU STILL STUDY. I DO. 24 00:03:00,548 --> 00:03:02,416 I KNOW, DERRICK, BUT THE FACT IS 25 00:03:02,416 --> 00:03:03,751 SOME OF US ACTUALLY NEED TO GRADUATE, 26 00:03:03,751 --> 00:03:05,519 BECAUSE EVENTUALLY, WE WILL HAVE TO GET A JOB. 27 00:03:05,519 --> 00:03:07,821 HEY, DO YOU GUYS KNOW THAT GIRL OVER THERE? 28 00:03:07,821 --> 00:03:10,324 SHE'S KIND OF GOT THE SHORT THING GOING? 29 00:03:10,324 --> 00:03:12,526 THAT'S REBECCA. SHE'S SEEN YOU. GO. 30 00:03:13,361 --> 00:03:15,062 NO, NO, NO, NO. 31 00:03:15,062 --> 00:03:17,431 TRAVIS, YOU ARE GREAT-LOOKING, 32 00:03:17,431 --> 00:03:18,599 AND THIS SOHO ARTIST THING YOU DO 33 00:03:18,599 --> 00:03:21,502 IS COMPLETELY SEXY. PLUS, YOU'RE NICE. 34 00:03:21,502 --> 00:03:23,804 WHICH, CONTRARY TO WHAT DERRICK MAY BELIEVE, 35 00:03:23,804 --> 00:03:25,138 IS WHAT WOMEN WANT. 36 00:03:25,138 --> 00:03:26,507 YEAH? YEAH. 37 00:03:26,507 --> 00:03:27,541 GO. 38 00:03:35,048 --> 00:03:36,417 GO. 39 00:03:45,826 --> 00:03:48,762 YOUR FRIEND'S REAL SMOOTH WITH THE LADIES. 40 00:03:50,898 --> 00:03:53,334 IT'S PATHETIC. 41 00:03:56,304 --> 00:03:58,205 BARTENDERS. YOU GUYS SEE A LOT, HUH? 42 00:03:58,205 --> 00:04:00,641 MORE OR LESS. YEAH, BUT THIS GUY, 43 00:04:00,641 --> 00:04:02,075 YOU SHOULD HEAR HIS LIFE STORY, MAN. 44 00:04:02,075 --> 00:04:03,311 PATHETIC DOESN'T BEGIN TO COVER IT. 45 00:04:04,578 --> 00:04:05,813 YEAH? 46 00:04:05,813 --> 00:04:07,615 HE'S LIKE A HOMELESS PERSON, ONLY RICH. 47 00:04:07,615 --> 00:04:08,982 COMPLETELY RAISED IN HOTELS. 48 00:04:08,982 --> 00:04:11,552 DERRICK, YOU PROMISED YOU WOULDN'T TALK ABOUT HIM. 49 00:04:11,552 --> 00:04:12,620 SEE, HIS FATHER TOURS. 50 00:04:12,620 --> 00:04:14,522 HE'S THIS HUGE ROCK STAR, 51 00:04:14,522 --> 00:04:15,623 AND I'M NOT SUPPOSED TO SAY WHO, 52 00:04:15,623 --> 00:04:16,724 BUT IF YOU LOOK AT THE GUY, 53 00:04:16,724 --> 00:04:18,392 YOU'LL KNOW WHO I'M TALKING ABOUT. 54 00:04:18,392 --> 00:04:20,794 SO HIS DAD'S RUNNING FROM ONE GIG TO ANOTHER. 55 00:04:20,794 --> 00:04:22,630 HIS MOM'S A SUPERMODEL. OCCASIONALLY, 56 00:04:22,630 --> 00:04:23,931 THEY'VE GOTTA LEAVE HIM AT A HOTEL. 57 00:04:23,931 --> 00:04:25,198 I MEAN, THEY'RE TAKING CARE OF THE KID, 58 00:04:25,198 --> 00:04:26,133 THEY JUST CAN'T BE THERE, RIGHT? 59 00:04:26,133 --> 00:04:27,968 IS IT JAGGER? 60 00:04:27,968 --> 00:04:30,638 I--I WANT TO TELL-- 61 00:04:30,638 --> 00:04:32,272 I CAN'T, I CAN'T, MAN. 62 00:04:32,272 --> 00:04:33,374 SO THEN ONE DAY, 63 00:04:33,374 --> 00:04:34,408 SOMEBODY AT THE PENINSULA SEES HIM 64 00:04:34,408 --> 00:04:35,409 PLAYING CHECKERS 65 00:04:35,409 --> 00:04:36,410 WITH ONE OF THE DOORMEN. 66 00:04:36,410 --> 00:04:37,578 SAYS, "WHO IS THIS KID?" 67 00:04:37,578 --> 00:04:39,079 IT TURNS OUT HE'S BEEN LIVING THERE 68 00:04:39,079 --> 00:04:41,114 FOR 2 YEARS. NO PARENTS IN SIGHT. 69 00:04:41,114 --> 00:04:42,249 COME ON. 70 00:04:42,249 --> 00:04:43,451 SERIOUS. THE NIGHT MAIDS 71 00:04:43,451 --> 00:04:46,454 WERE READING HIM TO SLEEP. 72 00:04:49,122 --> 00:04:51,058 DO YOU GUYS WANT TO SPLIT? 73 00:04:51,058 --> 00:04:54,462 BECAUSE I SORT OF STRUCK OUT. 74 00:04:54,462 --> 00:04:55,663 YEAH. LET'S GO. 75 00:04:55,663 --> 00:04:58,699 HERE. LET ME, UH, BUY YOU GUYS A DRINK. 76 00:05:01,369 --> 00:05:02,836 ON THE HOUSE. 77 00:05:14,147 --> 00:05:15,315 IS IT COBAIN? 78 00:05:15,315 --> 00:05:17,150 WAY TOO YOUNG. IT'S DYLAN. 79 00:05:17,150 --> 00:05:18,251 IS IT HIM? 80 00:05:18,251 --> 00:05:19,553 NO. NO WAY. 81 00:05:21,855 --> 00:05:26,394 YOU KNOW, UH, WE'D LOVE IT IF HE'D DO A SET. 82 00:05:28,529 --> 00:05:31,365 YEAH, UM, I'LL ASK HIM. 83 00:05:31,365 --> 00:05:34,034 [ALL LAUGHING] 84 00:05:38,171 --> 00:05:39,473 HEY, WHAT DID YOU TELL THEM ABOUT? 85 00:05:39,473 --> 00:05:41,308 NOTHING. A LITTLE FIB. 86 00:05:41,308 --> 00:05:42,309 OH, A LITTLE FIB? 87 00:05:42,309 --> 00:05:43,310 WELL, WE GOT FREE DRINKS 88 00:05:43,310 --> 00:05:44,545 OUT OF IT, DIDN'T WE? 89 00:05:44,545 --> 00:05:46,547 YEAH, BUT I STILL DIDN'T GET LAID, DID I? 90 00:05:49,383 --> 00:05:52,185 MY FRIEND, THE SEA IS WIDE. 91 00:05:52,185 --> 00:05:53,387 THERE ARE MANY FISH. 92 00:05:53,387 --> 00:05:57,391 MANY, MANY FISH, ALL RIGHT? 93 00:05:57,391 --> 00:05:59,727 YEOW! 94 00:06:02,062 --> 00:06:04,064 [ALL LAUGHING] 95 00:06:15,876 --> 00:06:18,345 HEY, TRAVIS. DIDN'T YOU GO TO BED? 96 00:06:18,345 --> 00:06:21,114 UM, I HAD AN IDEA. 97 00:06:21,114 --> 00:06:23,150 WE GOT CLASS. 98 00:06:28,456 --> 00:06:29,723 [KNOCKS] DERRICK, COME ON. 99 00:06:29,723 --> 00:06:31,391 WE GOT GOODWIN'S CLASS. 100 00:06:31,391 --> 00:06:33,827 OH? MMM. 101 00:06:35,262 --> 00:06:36,864 NOW LOOK, I GOT THE RENT, 102 00:06:36,864 --> 00:06:38,198 I JUST DON'T HAVE IT RIGHT NOW. 103 00:06:38,198 --> 00:06:39,232 TRAVIS, I DON'T NEED IT. 104 00:06:39,232 --> 00:06:40,568 NO, I GOT IT FOR YOU. 105 00:06:40,568 --> 00:06:42,436 YOU JUST SAID YOU DON'T HAVE IT. 106 00:06:42,436 --> 00:06:43,837 NO, I JUST DON'T HAVE IT RIGHT NOW. 107 00:06:43,837 --> 00:06:45,238 ALL RIGHT, ALL RIGHT. LOOK. LOOK. 108 00:06:45,238 --> 00:06:46,239 THIS IS MY APARTMENT, 109 00:06:46,239 --> 00:06:47,240 SO I GET TO MAKE THE RULES. 110 00:06:47,240 --> 00:06:48,375 IT'S A SOCIALIST STATE. 111 00:06:48,375 --> 00:06:49,610 I HAVE THE MONEY, YOU DON'T. 112 00:06:49,610 --> 00:06:51,979 DISTRIBUTION OF WEALTH. NO RENT. 113 00:06:54,815 --> 00:06:56,283 TRAVIS, THIS IS THE LAST TIME 114 00:06:56,283 --> 00:06:57,451 IN YOUR LIFE THAT SOMEONE WILL 115 00:06:57,451 --> 00:06:58,986 OFFER YOU SOMETHING FOR NOTHING. 116 00:06:58,986 --> 00:06:59,987 TAKE THE DEAL. 117 00:06:59,987 --> 00:07:02,523 YEAH, JUST THINK OF ME AS YOUR PATRON. 118 00:07:02,523 --> 00:07:03,624 I'M A PATRON OF THE ARTS. 119 00:07:03,624 --> 00:07:04,725 Goodwin: I JUST WANT TO REMIND YOU 120 00:07:04,725 --> 00:07:05,726 YOUR PAPERS ARE DUE 121 00:07:05,726 --> 00:07:07,127 THE FIRST WEEK NEXT MONTH, 122 00:07:07,127 --> 00:07:09,296 NO EXTENSIONS. OK. 123 00:07:09,296 --> 00:07:12,332 IN 1995, A SUPERMARKET TABLOID 124 00:07:12,332 --> 00:07:14,401 RAN THIS STORY ON ITS FRONT PAGE. 125 00:07:14,401 --> 00:07:17,004 WHAT DO YOU THINK? 126 00:07:17,004 --> 00:07:19,439 Woman: MURDERER. 127 00:07:19,439 --> 00:07:21,942 OK. THE NEXT DAY, 128 00:07:21,942 --> 00:07:24,645 THE NEW YORK TIMES RAN THIS STORY. 129 00:07:24,645 --> 00:07:27,815 THE STANDARD-BEARER OF AMERICAN JOURNALISM 130 00:07:27,815 --> 00:07:29,449 ATTRIBUTED, WITHOUT APOLOGY, 131 00:07:29,449 --> 00:07:32,419 A GOSSIP MAGAZINE AS ITS SOURCE. 132 00:07:32,419 --> 00:07:34,888 NOW WHAT DO YOU THINK? 133 00:07:34,888 --> 00:07:36,389 MS. WATERS? 134 00:07:36,389 --> 00:07:39,560 UM... [CLEARS THROAT] 135 00:07:39,560 --> 00:07:41,629 WELL, UM... 136 00:07:41,629 --> 00:07:43,531 NEWS AND ENTERTAINMENT 137 00:07:43,531 --> 00:07:46,567 ARE, LIKE, EXACTLY THE SAME THING ANYMORE, 138 00:07:46,567 --> 00:07:48,502 SO HOW ARE WE SUPPOSED TO TELL 139 00:07:48,502 --> 00:07:49,870 WHAT'S REAL AND WHAT'S NOT? 140 00:07:49,870 --> 00:07:50,871 AND DO YOU HAVE AN OPINION 141 00:07:50,871 --> 00:07:52,205 ABOUT THIS STATE OF AFFAIRS? 142 00:07:52,205 --> 00:07:54,107 AN OPINION? 143 00:07:54,107 --> 00:07:56,043 OCCASIONALLY, IN AN ACADEMIC ENVIRONMENT, 144 00:07:56,043 --> 00:07:56,944 WE LIKE TO ACTUALLY 145 00:07:56,944 --> 00:07:58,045 THINK ABOUT THE WORLD WE LIVE IN, 146 00:07:58,045 --> 00:07:59,613 BUT PERHAPS THAT'S TOO MUCH TO ASK 147 00:07:59,613 --> 00:08:01,448 OF SOMEONE WHO SPENDS THE GREATER PART 148 00:08:01,448 --> 00:08:03,250 OF HER CREATIVE INTELLECT ON HER HAIR. 149 00:08:06,053 --> 00:08:06,954 WELL, I THOUGHT 150 00:08:06,954 --> 00:08:08,822 WHAT MS. WATERS SAID WAS BRILLIANT. 151 00:08:08,822 --> 00:08:11,625 AH, WEBB HAS COME TO THE AID OF MS. WATERS. 152 00:08:11,625 --> 00:08:13,761 HER GRATITUDE WILL BE REWARDING, I'M SURE. 153 00:08:13,761 --> 00:08:14,962 BUT AT LEAST WE HAVE SOMEONE 154 00:08:14,962 --> 00:08:17,097 WILLING TO STATE AN OPINION. 155 00:08:17,097 --> 00:08:19,132 OK, NOW, LET'S TRY ANOTHER ACADEMIC ENTERPRISE. 156 00:08:19,132 --> 00:08:21,134 BACK THAT OPINION UP WITH AN ARGUMENT. 157 00:08:21,134 --> 00:08:26,740 OK, UH, GOSSIP AND NEWS ARE THE SAME THING. 158 00:08:26,740 --> 00:08:28,275 THEY'VE ALWAYS BEEN THE SAME THING. 159 00:08:28,275 --> 00:08:30,811 PEOPLE TELL STORIES. THAT'S WHAT MAKES US HUMAN. 160 00:08:30,811 --> 00:08:34,948 COME ON, WEBB. CONNECT THE DOTS. BE CLEAR. 161 00:08:34,948 --> 00:08:37,718 PEOPLE PASS A BUNCH OF STORIES AROUND IN THEIR TRIBE, 162 00:08:37,718 --> 00:08:38,952 AND FINALLY SOMEBODY WRITES THEM DOWN, 163 00:08:38,952 --> 00:08:40,688 AND THEN YOU HAVE RELIGION. 164 00:08:40,688 --> 00:08:41,789 WHEN YOU READ THE GOSPELS, 165 00:08:41,789 --> 00:08:43,156 THEY'RE JUST A BUNCH OF STORIES 166 00:08:43,156 --> 00:08:45,158 THAT COMPLETELY CONTRADICT EACH OTHER. 167 00:08:45,158 --> 00:08:47,527 I MEAN, MATTHEW'S SAYING THIS, AND LUKE'S SAYING, 168 00:08:47,527 --> 00:08:49,462 "NO, THIS IS WHAT I HEARD." 169 00:08:49,462 --> 00:08:50,898 WHAT'S YOUR THESIS? 170 00:08:50,898 --> 00:08:54,568 ALL I'M SAYING IS PEOPLE ARE PEOPLE. WE DO WHAT WE DO, 171 00:08:54,568 --> 00:08:56,637 AND WE GOSSIP ABOUT IT. 172 00:08:56,637 --> 00:08:58,505 IT MIGHT BE GREAT IF WE WERE MORE NOBLE, 173 00:08:58,505 --> 00:09:01,642 BUT THEN THE STORIES WOULDN'T BE AS GOOD, 174 00:09:01,642 --> 00:09:04,544 AND I LIKE GOSSIP. IT'S FUN. 175 00:09:06,446 --> 00:09:08,448 WELL, THAT WAS EXHAUSTING. 176 00:09:08,448 --> 00:09:09,449 SO, WHAT ARE YOU GONNA DO 177 00:09:09,449 --> 00:09:10,450 FOR GOODWIN'S PAPER? 178 00:09:10,450 --> 00:09:11,518 THE GUY'S A PRICK. 179 00:09:11,518 --> 00:09:12,653 MAYBE WE SHOULD DO ONE TOGETHER. 180 00:09:12,653 --> 00:09:15,288 SOMETIMES HE LETS PEOPLE DO THAT. 181 00:09:15,288 --> 00:09:17,591 HEY, TRAVIS. HOW'S IT GOING? 182 00:09:17,591 --> 00:09:20,260 UH, REBECCA. GREAT. 183 00:09:20,260 --> 00:09:23,396 [LAUGHS] 184 00:09:23,396 --> 00:09:25,032 I WONDER WHO SHE THINKS YOU ARE. 185 00:09:25,032 --> 00:09:26,499 I DON'T KNOW, BUT WHOEVER IT IS, 186 00:09:26,499 --> 00:09:28,201 I BET HE GETS LAID A LOT. 187 00:09:28,201 --> 00:09:31,304 * SOMETIMES * 188 00:09:31,304 --> 00:09:33,473 * LIFE'S NOT FAIR * 189 00:09:33,473 --> 00:09:35,208 * I CORRECT MYSELF * 190 00:09:35,208 --> 00:09:38,879 OH, HEY, UH, I HAD AN IDEA FOR GOODWIN'S PAPER. 191 00:09:38,879 --> 00:09:40,547 I THINK WE SHOULD START A RUMOR. 192 00:09:40,547 --> 00:09:42,482 WHAT, DO YOU MEAN ON PURPOSE? 193 00:09:42,482 --> 00:09:44,618 YEAH, WHY NOT? WE'RE GOOD AT IT. 194 00:09:44,618 --> 00:09:45,786 WELL, WHAT WOULD BE THE POINT? 195 00:09:45,786 --> 00:09:47,587 YOU KNOW, TRACK IT. SEE HOW IT GROWS. 196 00:09:47,587 --> 00:09:48,588 OH, YEAH, LIKE TELEPHONE. 197 00:09:48,588 --> 00:09:49,690 YEAH. 198 00:09:49,690 --> 00:09:51,024 SO, START A RUMOR. 199 00:09:51,024 --> 00:09:52,860 LIKE JONES HERE IS SLEEPING WITH THE BOTH OF US, 200 00:09:52,860 --> 00:09:54,027 AND THAT'S WHY WE ALL LIVE TOGETHER. 201 00:09:54,027 --> 00:09:56,496 YEAH. NO ONE WOULD BELIEVE THAT. 202 00:09:56,496 --> 00:09:57,731 WHY NOT? 203 00:09:57,731 --> 00:09:59,767 EVERYONE KNOWS YOU NEVER SLEEP WITH A GIRL 204 00:09:59,767 --> 00:10:02,369 LONG ENOUGH TO LIVE WITH HER. 205 00:10:02,369 --> 00:10:03,837 WELL, I MIGHT. 206 00:10:04,972 --> 00:10:08,141 YOU KNOW, IF TRAVIS TOOK WEEKENDS. 207 00:10:18,719 --> 00:10:20,921 [ROCK MUSIC PLAYING] 208 00:10:45,746 --> 00:10:47,915 I'M 2 ROWS BEHIND YOU IN GOODWIN'S CLASS. 209 00:10:48,949 --> 00:10:53,286 I THOUGHT WHAT YOU SAID TODAY WAS JUST BRILLIANT. 210 00:10:53,286 --> 00:10:55,455 A BEAUTIFUL GIRL WHO THINKS I'M BRILLIANT. 211 00:10:55,455 --> 00:10:57,024 I LIKE THIS PARTY. 212 00:11:02,730 --> 00:11:04,031 COME ON, JONES. 213 00:11:04,031 --> 00:11:05,565 JUST ONE. 214 00:11:05,565 --> 00:11:07,835 HUNH. HEY. 215 00:11:11,304 --> 00:11:12,305 THANKS. 216 00:11:13,573 --> 00:11:14,875 OF COURSE. 217 00:11:16,243 --> 00:11:17,410 HEY, NAOMI. 218 00:11:22,983 --> 00:11:25,719 WHO COMES TO A PARTY IN THE MEATPACKING DISTRICT 219 00:11:25,719 --> 00:11:27,120 IN A TOWN CAR? 220 00:11:27,120 --> 00:11:29,356 HER FATHER'S A VERY BIG DEAL. 221 00:11:29,356 --> 00:11:31,258 [TIN STAR PLAYS HEAD] 222 00:11:32,125 --> 00:11:34,627 * I'M NOT GETTING ALONG * 223 00:11:34,627 --> 00:11:37,064 * I'M NOT GIVING THE ANSWER * 224 00:11:37,064 --> 00:11:39,833 * I'M NOT GETTING ALONG * 225 00:11:39,833 --> 00:11:42,135 * SO TIME TO USE THAT PHONE * 226 00:11:42,135 --> 00:11:44,738 * I'M NOT GETTING ALONG * 227 00:11:44,738 --> 00:11:47,307 * I'M NOT GIVING THE ANSWER * 228 00:11:51,711 --> 00:11:54,447 * YOU'RE HOT * 229 00:11:54,447 --> 00:11:56,817 * YOU'RE HOT * 230 00:11:56,817 --> 00:11:59,887 * YOU'RE HOT * 231 00:11:59,887 --> 00:12:01,855 * CAN'T GET OUT OF MY HEAD * 232 00:12:01,855 --> 00:12:03,991 * YOU'RE HOT * 233 00:12:03,991 --> 00:12:06,827 * YOU'RE HOT * 234 00:12:06,827 --> 00:12:08,295 * YOU'RE HOT * 235 00:12:08,295 --> 00:12:09,797 * GOTTA GET ON * 236 00:12:09,797 --> 00:12:11,231 SO WERE YOU GONNA TELL ME? 237 00:12:11,231 --> 00:12:12,465 TELL YOU WHAT? 238 00:12:12,465 --> 00:12:13,767 YOU AND GOODWIN. 239 00:12:13,767 --> 00:12:15,368 SAY THAT AGAIN? 240 00:12:16,937 --> 00:12:18,939 [GRUNTS] I'VE ALWAYS WANTED TO DO IT. 241 00:12:18,939 --> 00:12:20,540 SEX WITH A PROFESSOR. 242 00:12:20,540 --> 00:12:21,942 OH, YEAH, YEAH. 243 00:12:21,942 --> 00:12:24,912 I TAKE ALL MY TEACHERS BACK TO THE LOFT. 244 00:12:24,912 --> 00:12:27,447 HUH, THAT'S FUNNY. I HEARD A HOTEL. 245 00:12:28,748 --> 00:12:30,217 WHO TOLD YOU THIS? 246 00:12:30,217 --> 00:12:33,186 I PROMISED. 247 00:12:38,926 --> 00:12:40,994 [DANCE MUSIC PLAYING] 248 00:12:59,679 --> 00:13:01,714 YOU KNOW NAOMI? 249 00:13:01,714 --> 00:13:03,450 NO, WHAT'S HER NAME? 250 00:13:03,450 --> 00:13:04,584 NAOMI PRESTON. 251 00:13:04,584 --> 00:13:06,086 TRANSFERRED IN LAST SEMESTER 252 00:13:06,086 --> 00:13:07,855 FROM SOMEPLACE IN VERMONT. 253 00:13:08,788 --> 00:13:11,524 SO WHO'S THE STIFF TRYING TO WARM HER UP? 254 00:13:11,524 --> 00:13:12,759 BEAU EDSON. 255 00:13:12,759 --> 00:13:15,362 LAST GUY ON CAMPUS WHO THINKS SHE PUTS OUT. 256 00:13:16,363 --> 00:13:18,231 EVERYBODY KNOWS SHE DOESN'T. 257 00:13:18,231 --> 00:13:21,334 I JUST DON'T GET WOMEN WHO ARE AFRAID OF SEX. 258 00:13:34,381 --> 00:13:36,716 SO MAYBE I WAS WRONG ABOUT GOODWIN, 259 00:13:36,716 --> 00:13:38,485 'CAUSE THIS LOOKS LIKE JEALOUSY TO ME. 260 00:13:38,485 --> 00:13:40,653 PLEASE. THE QUICKEST WAY TO GET DERRICK WEBB 261 00:13:40,653 --> 00:13:42,522 OUT OF MY LIFE WOULD BE TO SLEEP WITH HIM. 262 00:13:44,357 --> 00:13:46,493 THAT'S NOT A NO. 263 00:13:59,606 --> 00:14:01,241 [SOFT MOAN] 264 00:14:12,352 --> 00:14:13,553 [GROANS] 265 00:14:15,355 --> 00:14:16,723 WHY? WHAT? 266 00:14:16,723 --> 00:14:17,724 NOTHING. 267 00:14:17,724 --> 00:14:19,026 YOU ALL RIGHT? 268 00:14:19,026 --> 00:14:20,227 YOU OK? 269 00:14:20,227 --> 00:14:22,195 MARTINIS. 270 00:14:22,195 --> 00:14:23,430 [GROANS] 271 00:14:29,069 --> 00:14:31,004 HEY, TRAVIS. WHAT ARE YOU DOING? 272 00:14:31,004 --> 00:14:32,105 YOU HIDING? 273 00:14:32,105 --> 00:14:34,908 I'M NOT HIDING. I'M JUST THINKING. 274 00:14:34,908 --> 00:14:37,110 MMM. ARE YOU DRUNK? 275 00:14:37,110 --> 00:14:38,912 I'M JUST KINDA HAVING 276 00:14:38,912 --> 00:14:41,314 A LITTLE DIALOGUE WITH GRAVITY. 277 00:14:41,314 --> 00:14:42,115 [MARIE GROANS] 278 00:14:42,115 --> 00:14:43,917 HERE WE GO. AH, OK. 279 00:14:43,917 --> 00:14:45,518 NOW, I GOTCHA. I GOTCHA. 280 00:14:45,518 --> 00:14:47,354 TAKE IT EASY. 281 00:14:47,354 --> 00:14:48,355 YOU ALL RIGHT? 282 00:14:48,355 --> 00:14:49,189 YEAH. 283 00:14:49,189 --> 00:14:51,591 ALL RIGHT. KEEP YOUR HEAD DOWN. 284 00:14:51,591 --> 00:14:53,560 [SIGHS] PARTIES. 285 00:14:54,861 --> 00:14:56,263 HOW YA DOING? YOU ALL RIGHT? 286 00:14:56,263 --> 00:14:57,064 YEAH. 287 00:14:57,064 --> 00:14:58,765 LET ME GET YOU A COLD RAG. 288 00:14:58,765 --> 00:15:00,300 YOU HANG TIGHT. 289 00:15:02,970 --> 00:15:04,337 COME HERE. 290 00:15:04,337 --> 00:15:05,638 [CHUCKLES] 291 00:15:08,908 --> 00:15:10,443 Beau: YOU ARE SO BEAUTIFUL. 292 00:15:16,316 --> 00:15:18,685 Beau: COME ON, NAOMI. IT'LL BE GREAT. 293 00:15:18,685 --> 00:15:20,253 [NAOMI CHUCKLES] 294 00:15:29,262 --> 00:15:30,998 STOP. 295 00:15:35,268 --> 00:15:36,269 OH. 296 00:15:48,982 --> 00:15:51,218 [MARIE COUGHS] 297 00:16:30,823 --> 00:16:32,359 BEAU... 298 00:16:32,359 --> 00:16:34,761 I'M SO DRUNK. COME ON. 299 00:16:34,761 --> 00:16:36,096 SHHH. 300 00:16:50,910 --> 00:16:53,246 Naomi: OH, BEAU. 301 00:16:55,915 --> 00:16:57,417 PLEASE STOP. 302 00:16:58,985 --> 00:17:00,487 PLEASE? 303 00:17:01,054 --> 00:17:03,190 [TECHNO MUSIC PLAYING] 304 00:17:05,925 --> 00:17:07,594 Leslie: HAVE YOU SEEN MARIE? 305 00:17:09,196 --> 00:17:11,431 SHE DISAPPEARED WITH DERRICK WEBB. 306 00:17:11,431 --> 00:17:12,765 NO WAY. 307 00:17:12,765 --> 00:17:14,201 DOES SHE EVEN KNOW HIM? 308 00:17:14,201 --> 00:17:16,536 [CHUCKLES] SHE DOES NOW. 309 00:17:20,207 --> 00:17:22,375 IS THAT AN AIR OF SEXUAL SATISFACTION I DETECT? 310 00:17:22,375 --> 00:17:25,112 HEY, A GENTLEMAN WOULD NEVER... 311 00:17:25,112 --> 00:17:26,479 HA HA! 312 00:17:54,006 --> 00:17:57,277 HEY, I THINK WE GOT OUR RUMOR. 313 00:17:57,277 --> 00:18:00,280 YEAH, I ALREADY HEARD TONIGHT'S BIG RUMOR. 314 00:18:00,280 --> 00:18:02,382 OH, YEAH, YOU AND GOODWIN. 315 00:18:02,382 --> 00:18:03,183 HA HA. 316 00:18:03,183 --> 00:18:04,184 HA HA HA HA. 317 00:18:04,184 --> 00:18:05,418 WHO STARTED THAT? 318 00:18:05,418 --> 00:18:06,686 NO, NO, THIS IS SOMETHING ELSE. 319 00:18:06,686 --> 00:18:09,088 THIS GIRL AT THE PARTY, UH, NAOMI SOMETHING. 320 00:18:09,088 --> 00:18:10,089 PRESTON. 321 00:18:10,089 --> 00:18:11,991 YEAH. HEY, WHOA! 322 00:18:11,991 --> 00:18:13,660 YEAH, WHAT DO YOU KNOW ABOUT HER? 323 00:18:13,660 --> 00:18:15,662 SHE'S IN MY CALC CLASS. TRANSFER STUDENT, 324 00:18:15,662 --> 00:18:17,630 OLD MONEY, EXPENSIVE EVERYTHING, 325 00:18:17,630 --> 00:18:19,599 AND DOES HER MATH WITH A MONT BLANC PEN. 326 00:18:19,599 --> 00:18:23,270 SHE AND HER DATE ARRIVED IN DADDY'S LIMO. 327 00:18:23,270 --> 00:18:25,205 YOU DO HATE THE RICH. 328 00:18:26,373 --> 00:18:28,040 WELL, I DON'T HATE YOU. 329 00:18:28,040 --> 00:18:29,209 I BUY YOU DRINKS. 330 00:18:29,209 --> 00:18:30,277 THERE YOU GO. 331 00:18:30,277 --> 00:18:31,478 I LIKE RICH PEOPLE WHO ARE NICE. 332 00:18:31,478 --> 00:18:33,846 AND NAOMI PRESTON IS A BITCH. 333 00:18:33,846 --> 00:18:35,047 HEY. 334 00:18:35,047 --> 00:18:36,048 YO, BUDDY! 335 00:18:36,048 --> 00:18:37,850 Jones: HEY, TRAVIS. 336 00:18:37,850 --> 00:18:39,486 NO EXPLORING. 337 00:18:40,553 --> 00:18:42,422 YEAH, WELL, I SAW HER AND HER BOYFRIEND 338 00:18:42,422 --> 00:18:43,756 IN THE BEDROOM TOGETHER. 339 00:18:44,757 --> 00:18:46,693 I WAS IN THE BATHROOM. 340 00:18:46,693 --> 00:18:48,761 SO I WAS JUST FLOSSING, AND, UH... 341 00:18:48,761 --> 00:18:49,762 UH-HUH. 342 00:18:49,762 --> 00:18:50,730 MEANWHILE, THESE TWO 343 00:18:50,730 --> 00:18:52,098 ARE IN THE ROOM NEXT DOOR MAKING OUT, 344 00:18:52,098 --> 00:18:54,367 AND SHE PASSES OUT AND HE SPLITS. 345 00:18:54,367 --> 00:18:57,870 SO--HOW IS THIS GOSSIP? 346 00:18:57,870 --> 00:18:59,306 WELL, WE SPREAD IT AROUND 347 00:18:59,306 --> 00:19:00,573 LIKE THEY WENT AHEAD AND HAD SEX IN THE BEDROOM 348 00:19:00,573 --> 00:19:02,175 WHILE THE PARTY WAS STILL GOING ON. 349 00:19:02,175 --> 00:19:03,976 YOU JUST SAID THEY DIDN'T. 350 00:19:03,976 --> 00:19:05,312 YEAH, BUT WHATEVER RUMOR WE TELL, 351 00:19:05,312 --> 00:19:06,513 WE'RE GONNA HAVE TO MAKE UP. OTHERWISE, 352 00:19:06,513 --> 00:19:07,480 HOW ARE WE GONNA KNOW IF IT'S OUR RUMOR? 353 00:19:07,480 --> 00:19:09,782 THIS IS GOOD. IT'S SIMPLE. 354 00:19:09,782 --> 00:19:11,050 IT'S CLOSE TO THE TRUTH. 355 00:19:11,050 --> 00:19:12,785 IT'S GOT ROOM TO GROW. 356 00:19:13,920 --> 00:19:15,888 HEY, WHOA! GET TRAVIS! 357 00:19:17,056 --> 00:19:18,658 HEY, TRAV. 358 00:19:18,658 --> 00:19:19,659 HOLD ON ONE SEC. 359 00:19:19,659 --> 00:19:22,195 YOU KNOW, SCREW MY DAD ANYWAY. 360 00:19:22,195 --> 00:19:23,330 TRAV? 361 00:19:23,330 --> 00:19:25,298 WHAT ARE THEY GONNA SAY ABOUT HIM? 362 00:19:25,298 --> 00:19:26,799 Travis: SOME. 363 00:19:26,799 --> 00:19:28,034 RAH RAH. 364 00:19:28,034 --> 00:19:29,168 HEY! 365 00:19:29,168 --> 00:19:31,871 * THE LOOK * 366 00:19:31,871 --> 00:19:33,473 * OF LOVE * 367 00:19:33,473 --> 00:19:36,042 [DERRICK GRUNTS] JONES. 368 00:19:36,042 --> 00:19:39,312 GIVE ME A LITTLE HELP OVER HERE. 369 00:19:39,312 --> 00:19:42,114 * A LOOK, YOUR SMILE * 370 00:19:42,114 --> 00:19:44,217 JUST GRAB HIS FEET. 371 00:19:44,217 --> 00:19:45,218 PUSH. 372 00:19:45,218 --> 00:19:47,186 [GRUNTING] 373 00:19:47,186 --> 00:19:48,955 [GIGGLES] YOU'LL WAKE HIM UP. 374 00:19:48,955 --> 00:19:50,457 SHIT. 375 00:19:50,457 --> 00:19:53,660 DRAGGING HIM ON THE SUBWAY DIDN'T WAKE HIM UP. 376 00:19:54,827 --> 00:19:55,695 OK. 377 00:19:55,695 --> 00:19:59,266 * IT'S SAYING SO MUCH MORE * 378 00:19:59,266 --> 00:20:03,169 * THEN JUST WORDS COULD EVER SAY * 379 00:20:03,169 --> 00:20:04,371 [LAUGHING] 380 00:20:04,371 --> 00:20:07,374 * I CAN'T HARDLY WAIT TO HOLD YOU * 381 00:20:07,374 --> 00:20:10,042 * FEEL MY ARMS AROUND YOU * 382 00:20:10,042 --> 00:20:12,245 WE SHOULD TAKE HIS SHOES OFF. 383 00:20:13,346 --> 00:20:14,547 ALL RIGHT. 384 00:20:16,148 --> 00:20:17,650 [GIGGLES] 385 00:20:26,793 --> 00:20:28,728 WHAT? 386 00:20:31,130 --> 00:20:33,266 DON'T EVEN THINK ABOUT IT. 387 00:20:33,266 --> 00:20:37,504 CAN YOU TELL ME IT NEVER CROSSED YOUR MIND? 388 00:20:37,504 --> 00:20:40,507 AND YOU DO EVERYTHING THAT CROSSES YOUR MIND? 389 00:20:40,507 --> 00:20:42,642 EH, DON'T ANSWER THAT. 390 00:20:44,377 --> 00:20:47,013 DERRICK, I'M NOT JOKING. 391 00:20:47,013 --> 00:20:48,381 COME ON. 392 00:20:48,381 --> 00:20:50,149 YOU'RE JUST AS CAPABLE OF MEANINGLESS SEX AS I AM. 393 00:20:50,149 --> 00:20:53,720 OH, AND THEY SAY ROMANCE IS DEAD. 394 00:20:56,289 --> 00:20:58,257 IT COULD MAKE OUR FRIENDSHIP STRONGER. 395 00:20:58,257 --> 00:21:01,961 [LAUGHS] 396 00:21:01,961 --> 00:21:03,896 IS THAT RIGHT? 397 00:21:03,896 --> 00:21:04,897 HE'S OUT. 398 00:21:06,833 --> 00:21:08,401 HE'LL NEVER KNOW. 399 00:21:09,369 --> 00:21:12,372 AM I ALONE IN THIS? 400 00:21:28,955 --> 00:21:32,525 I WAS RIGHT. I FELT ABSOLUTELY NOTHING. 401 00:21:38,465 --> 00:21:40,533 WELL, I FELT SOMETHING. 402 00:21:57,917 --> 00:21:59,786 SEE, FIRST I THOUGHT IF WE STARTED THE RUMOR 403 00:21:59,786 --> 00:22:01,621 3 TIMES AND THEN WAITED FOR IT TO COME BACK, 404 00:22:01,621 --> 00:22:03,890 THEN ONCE ONE OF US HEARD IT, WE COULD TRACE THE LINE BACK 405 00:22:03,890 --> 00:22:06,726 AND SEE WHOSE RUMOR MOVED THE FASTEST. 406 00:22:06,726 --> 00:22:08,495 DOESN'T YOUR HEAD HURT? MM-MMM. 407 00:22:08,495 --> 00:22:09,896 BUT THEN I THOUGHT, YOU KNOW, THIS-- 408 00:22:09,896 --> 00:22:12,231 IT'S NOT SOME STUPID RACE, YOU KNOW? I MEAN, BESIDES, 409 00:22:12,231 --> 00:22:14,000 PEOPLE ARE GONNA SPREAD THE THING BACK AND FORTH ANYWAY, 410 00:22:14,000 --> 00:22:15,502 AND NONE OF THE LINES ARE GONNA MATCH. 411 00:22:15,502 --> 00:22:17,404 IT'S LIKE CHAOS THEORY, YOU KNOW WHAT I MEAN? 412 00:22:17,404 --> 00:22:19,506 THERE'S GONNA BE A LOT OF NOISE. 413 00:22:19,506 --> 00:22:21,774 IT'S LIKE RAPID GUNFIRE. POW POW POW POW. 414 00:22:21,774 --> 00:22:24,310 YOU REALLY ARE NOT IN THE LEAST BIT HUNG OVER? 415 00:22:24,310 --> 00:22:25,578 MM-MMM. 416 00:22:25,578 --> 00:22:27,447 SEE, HE'S FIGURED OUT A WAY TO MAKE IT ART. 417 00:22:27,447 --> 00:22:29,348 TRAVIS, THIS IS VERY GOOD. 418 00:22:29,348 --> 00:22:32,118 SO NOW ALL WE HAVE TO DO IS TELL THE STORY. 419 00:22:32,118 --> 00:22:33,352 IF WE DO THIS. 420 00:22:33,352 --> 00:22:34,621 WHAT DO YOU MEAN, IF WE DO THIS? 421 00:22:34,621 --> 00:22:35,955 WHOA, WAIT A SECOND. JONES, 422 00:22:35,955 --> 00:22:36,923 THIS WAS YOUR IDEA. 423 00:22:36,923 --> 00:22:39,392 I KNOW, BUT I HARDLY KNOW THESE PEOPLE, 424 00:22:39,392 --> 00:22:41,293 AND I DON'T HAVE ANYTHING AGAINST THEM. 425 00:22:41,293 --> 00:22:43,195 ASIDE FROM THE MONT BLANC 426 00:22:43,195 --> 00:22:44,196 AND DADDY'S LIMO. 427 00:22:44,196 --> 00:22:45,297 ALL RIGHT. 428 00:22:45,297 --> 00:22:46,833 SO WAIT, LET ME GET THIS STRAIGHT. 429 00:22:46,833 --> 00:22:48,401 YOU DON'T LIKE THIS PERSON, 430 00:22:48,401 --> 00:22:49,836 BUT YOU DON'T WANT TO BE MEAN BECAUSE, 431 00:22:49,836 --> 00:22:51,003 YOU KNOW, YOU'RE FROM PLYMOUTH, 432 00:22:51,003 --> 00:22:52,405 AND THAT'S WHERE THE PILGRIMS ARE FROM, 433 00:22:52,405 --> 00:22:53,473 AND, YOU KNOW, THEY'RE NOT MEAN, 434 00:22:53,473 --> 00:22:54,707 'CAUSE THEY WEAR THE LITTLE HATS 435 00:22:54,707 --> 00:22:55,708 AND THE BUCKLES ON THEIR SHOES. 436 00:22:55,708 --> 00:22:57,009 THERE WERE MEAN PILGRIMS. 437 00:22:57,009 --> 00:22:59,779 NO, NO, THEY WERE TOO BUSY GIVING THANKS. 438 00:22:59,779 --> 00:23:01,881 HA. 439 00:23:01,881 --> 00:23:04,884 SO ARE WE GONNA DO THIS OR WHAT? 440 00:23:04,884 --> 00:23:07,520 JONES. 441 00:23:08,688 --> 00:23:10,523 ALL RIGHT, WELL, I GUESS WE COULD JUST STICK WITH 442 00:23:10,523 --> 00:23:12,124 THE ONE THAT'S ALREADY MAKING THE ROUNDS. 443 00:23:12,124 --> 00:23:14,461 DID YOU HEAR ABOUT JONES AND GOODWIN AT THE PIERRE? 444 00:23:14,461 --> 00:23:15,562 MM-MMM. 445 00:23:15,562 --> 00:23:18,898 OH, SO NOW IT'S THE PIERRE? 446 00:23:24,336 --> 00:23:25,638 SO? 447 00:23:33,345 --> 00:23:35,081 LET'S DO IT. 448 00:23:37,216 --> 00:23:38,851 YEAH, THE PARTY WAS COOL, 449 00:23:38,851 --> 00:23:40,953 ALTHOUGH IT TOOK US FOREVER TO GET HOME. 450 00:23:40,953 --> 00:23:41,954 THIS IS YOURS. 451 00:23:41,954 --> 00:23:43,222 THANKS. 452 00:23:43,222 --> 00:23:45,625 AND WE EVEN LEFT EARLY, I MEAN, BEFORE NAOMI CAME DOWN. 453 00:23:45,625 --> 00:23:47,794 APPARENTLY SHE AND BEAU WERE UP IN ONE OF THE BEDROOMS 454 00:23:47,794 --> 00:23:49,496 HAVING SEX DURING THE PARTY. 455 00:23:51,263 --> 00:23:55,468 I MEAN, I THOUGHT THE LINE ON HER WAS, LIKE, NO SEX. 456 00:23:55,468 --> 00:23:57,637 NOT THAT I JUDGE THAT. I MEAN, A LOT OF GIRLS 457 00:23:57,637 --> 00:23:59,639 ARE DOING THIS WHOLE CHASTITY THING NOW. 458 00:23:59,639 --> 00:24:02,174 FINE. I JUST HAVE TO SAY I WAS SURPRISED. 459 00:24:02,174 --> 00:24:04,644 WELL, YEAH. I MEAN, EVERYBODY HEARD WITHIN DAYS 460 00:24:04,644 --> 00:24:07,113 AFTER SHE GOT HERE THAT SHE WASN'T PUTTING OUT. 461 00:24:07,113 --> 00:24:09,148 BECAUSE SHE'S SO BEAUTIFUL AND EVERYBODY WAS LIKE-- 462 00:24:09,148 --> 00:24:10,216 I KNOW, I KNOW. 463 00:24:10,216 --> 00:24:11,918 A LOT OF PEOPLE THINK THAT SHE'S BEAUTIFUL. 464 00:24:11,918 --> 00:24:14,220 I THINK HER FACE IS TOO LONG AND HER NOSE-- 465 00:24:14,220 --> 00:24:15,555 IT'S ME. 466 00:24:15,555 --> 00:24:18,324 Louise: I'M JUST SAYING I'M WORRIED ABOUT NAOMI. 467 00:24:18,324 --> 00:24:19,792 I MEAN, SHE TAKES THIS POSITION 468 00:24:19,792 --> 00:24:21,260 THAT SHE WANTS TO SAVE HERSELF, 469 00:24:21,260 --> 00:24:23,696 AND THEN SHE GOES AND DOES SOMETHING LIKE THIS. 470 00:24:23,696 --> 00:24:25,131 I MEAN, I JUST THINK IN THE LONG RUN 471 00:24:25,131 --> 00:24:27,066 PEOPLE ARE GONNA TAKE HER LESS SERIOUSLY 472 00:24:27,066 --> 00:24:28,901 AS A HUMAN BEING. 473 00:24:28,901 --> 00:24:31,103 WELL, I HEARD-- I HEARD-- 474 00:24:31,103 --> 00:24:32,505 I HEARD-- I HEARD-- 475 00:24:32,505 --> 00:24:33,773 YOU KNOW, I RESPECT WOMEN LIKE THAT 476 00:24:33,773 --> 00:24:35,141 WHO ARE NOT INTO CASUAL SEX. 477 00:24:35,141 --> 00:24:36,142 UH-HUH. 478 00:24:36,142 --> 00:24:37,343 EXCEPT AT A PARTY. 479 00:24:37,343 --> 00:24:39,211 WELL, I HEARD WHEN HE PUT HIS HAND IN HER CROTCH... 480 00:24:39,211 --> 00:24:40,747 AT FIRST THERE WAS A MOMENT OF RESISTANCE... 481 00:24:40,747 --> 00:24:42,515 BUT YOU KNOW HOW THESE THINGS GO. 482 00:24:42,515 --> 00:24:43,850 OH, YEAH, I HEARD ABOUT THAT. 483 00:24:43,850 --> 00:24:46,085 LIKE 6 GUYS AND 4 GIRLS GETTING IT ON. 484 00:24:46,085 --> 00:24:46,919 WILD. OH, WAIT. 485 00:24:46,919 --> 00:24:48,621 NO, THAT WAS AT MY HIGH SCHOOL. 486 00:24:48,621 --> 00:24:49,756 NEXT THING YOU KNOW... 487 00:24:49,756 --> 00:24:51,290 SHE'S GOT HER HAND ON HIS CROTCH... 488 00:24:51,290 --> 00:24:52,291 AND HER SKIRT... 489 00:24:52,291 --> 00:24:53,492 IS UP OVER... HER EARS. 490 00:24:53,492 --> 00:24:55,061 I KNEW THIS GIRL IN FRESHMAN YEAR 491 00:24:55,061 --> 00:24:57,530 WHO WAS ALWAYS, LIKE, "NO, NO, NO." 492 00:24:57,530 --> 00:24:58,631 AND THEN FINALLY WHEN SHE'S GOING, 493 00:24:58,631 --> 00:25:00,032 "YES, YES, YES," IT TURNS OUT 494 00:25:00,032 --> 00:25:01,668 SHE'S WEARING RUBBER UNDERWEAR, 495 00:25:01,668 --> 00:25:03,269 WHIPS, CHAINS, THE WHOLE BIT. 496 00:25:03,269 --> 00:25:04,571 AND SHE GOES DOWN ON HIM... 497 00:25:04,571 --> 00:25:05,572 RIGHT THERE... 498 00:25:05,572 --> 00:25:06,706 IN THE WINDOW... 499 00:25:06,706 --> 00:25:08,207 SHE IS HOT... HOT... 500 00:25:08,207 --> 00:25:09,609 HOT... IS HOT... 501 00:25:09,609 --> 00:25:11,210 IS SO HOT. 502 00:25:12,011 --> 00:25:13,145 Female Student: SO HE PICKED HER UP, 503 00:25:13,145 --> 00:25:14,714 AND THEY DID IT STANDING ON THE BED. 504 00:25:14,714 --> 00:25:16,382 BLOW JOB? YES. 505 00:25:16,382 --> 00:25:18,751 INTERCOURSE? DEFINITELY. 506 00:25:18,751 --> 00:25:19,752 RUBBER UNDERWEAR? 507 00:25:19,752 --> 00:25:21,187 YES, BECAUSE I SAW IT ONCE 508 00:25:21,187 --> 00:25:22,254 IN HER LAUNDRY BASKET. 509 00:25:22,254 --> 00:25:23,389 THIS BLACK RUBBER BRA. 510 00:25:23,389 --> 00:25:24,657 IT WAS SO CUTE. 511 00:25:24,657 --> 00:25:25,658 LIKE VICTORIA'S SECRET 512 00:25:25,658 --> 00:25:28,661 GONE...CRYSTAL METH. 513 00:25:45,511 --> 00:25:47,113 AWW... 514 00:25:51,017 --> 00:25:52,418 WHAT? 515 00:25:52,418 --> 00:25:55,187 SHE WEARS BLACK RUBBER BRAS. 516 00:25:55,187 --> 00:25:59,558 AND APPARENTLY ENJOYS MULTIPLE PARTNERS 517 00:25:59,558 --> 00:26:01,894 ON THE FIRE ESCAPE. 518 00:26:18,678 --> 00:26:22,782 Tin Star: * LOVE YOU LIKE NO OTHER * 519 00:26:22,782 --> 00:26:26,986 * LOVE YOU RAIN OR SHINE * 520 00:26:26,986 --> 00:26:31,891 * YOU COULD BE THE ONE THING THAT IS ON MY MIND * 521 00:26:35,094 --> 00:26:36,195 * DIS- * 522 00:26:36,195 --> 00:26:37,196 * CONN- * 523 00:26:37,196 --> 00:26:38,197 * ECT- * 524 00:26:38,197 --> 00:26:39,198 * ED * 525 00:26:39,198 --> 00:26:41,167 * CHILD * 526 00:26:43,002 --> 00:26:47,106 * DIS-CONN-ECT-ED * 527 00:26:47,106 --> 00:26:49,075 * CHILD * 528 00:26:49,075 --> 00:26:51,878 * SHE'S BEEN ON MY MIND * 529 00:27:09,862 --> 00:27:12,431 YOU SEE, IT MOVES FORWARDS AND BACKWARDS. 530 00:27:12,431 --> 00:27:13,766 AND SO, SEE, JONES STARTED IT, 531 00:27:13,766 --> 00:27:14,834 THEN SHE HEARD IT, 532 00:27:14,834 --> 00:27:15,968 SO YOU CAN TRACE THAT LINE BACK. 533 00:27:15,968 --> 00:27:18,337 IT GOES BACK AND FORTH, LIKE, UH... 534 00:27:18,337 --> 00:27:20,139 LIKE AIR WAVES. 535 00:27:22,441 --> 00:27:24,376 SO, WHAT ARE WE GONNA DO AT THE END OF THE SEMESTER, 536 00:27:24,376 --> 00:27:25,812 HAND IN YOUR ROOM? 537 00:27:27,714 --> 00:27:29,048 YOU THINK I'M A FREAK, DON'T YOU? 538 00:27:29,048 --> 00:27:31,217 NO, TRAVIS. THIS IS VERY ORIGINAL. 539 00:27:31,217 --> 00:27:32,852 IT'S LIKE, UM... 540 00:27:34,353 --> 00:27:35,788 YOU'RE ORIGINAL, TRAVIS. 541 00:27:35,788 --> 00:27:37,957 LISTEN... 542 00:27:39,391 --> 00:27:40,793 I KNOW YOU, MAN. 543 00:27:40,793 --> 00:27:42,795 WHAT'S GOING ON INSIDE YOU IS LIKE A PISTON, 544 00:27:42,795 --> 00:27:43,863 AND IT'S IMPOSSIBLE TO EXPLAIN 545 00:27:43,863 --> 00:27:45,064 WHAT MAKES IT RUN, YOU KNOW. 546 00:27:45,064 --> 00:27:46,933 ALL THE SHIT THAT'S IN THERE. 547 00:27:49,869 --> 00:27:51,971 I KNOW IT'S CONFUSING, BUT PICASSO, VAN GOGH, 548 00:27:51,971 --> 00:27:54,006 ALL THOSE GUYS, THEY ALL HAD DOUBTS. 549 00:27:54,006 --> 00:27:55,942 THAT'S WHAT MADE THEM BRILLIANT. 550 00:27:57,844 --> 00:28:00,079 MAN, I CAN'T EVEN PAY MY RENT. 551 00:28:02,114 --> 00:28:05,284 SOMETIMES I DON'T EVEN KNOW WHAT I'M DOING. 552 00:28:08,788 --> 00:28:10,890 TRYING TO GET AT THE TRUTH, MAN. 553 00:28:13,192 --> 00:28:14,393 JONES. 554 00:28:14,393 --> 00:28:15,862 COME HERE. LOOK AT THIS. 555 00:28:15,862 --> 00:28:17,797 ISN'T THIS GOOD? 556 00:28:20,800 --> 00:28:21,968 Erica: ...TOTALLY BOMBED, WENT UPSTAIRS, 557 00:28:21,968 --> 00:28:23,135 HAD SEX WHILE THE PARTY WAS GOING ON. 558 00:28:23,135 --> 00:28:24,136 [LAUGHING] 559 00:28:24,136 --> 00:28:25,938 PEOPLE WERE WALKING IN AND OUT WATCHING. 560 00:28:25,938 --> 00:28:27,673 APPARENTLY THEY WERE GETTING OFF ON IT. 561 00:28:27,673 --> 00:28:29,776 NAOMI, SHE'S, LIKE, HELLO, NO SEX AT ALL. 562 00:28:29,776 --> 00:28:30,843 HUGE POINT WITH HER. 563 00:28:30,843 --> 00:28:32,711 WELL, I GUESS BEAU'S HUGER. 564 00:28:32,711 --> 00:28:34,046 OR IS IT "MORE HUGE"? 565 00:28:34,046 --> 00:28:37,149 BEAU EDSON. OH, GOD, I'D DO IT. 566 00:28:37,149 --> 00:28:38,985 WELL, APPARENTLY, NAOMI DID. 567 00:28:38,985 --> 00:28:40,787 WITH BEAU, AND MAYBE EVEN A COUPLE OF OTHERS. 568 00:28:40,787 --> 00:28:42,421 THE STORY... 569 00:29:02,174 --> 00:29:03,575 BEAU... 570 00:29:03,575 --> 00:29:05,912 IT'S JUST THAT I HEARD IT FROM A COUPLE OF PLACES NOW. 571 00:29:05,912 --> 00:29:07,013 LISTEN, OK? 572 00:29:07,013 --> 00:29:08,881 I DON'T KNOW WHY PEOPLE ARE SAYING 573 00:29:08,881 --> 00:29:10,783 WHATEVER IT IS THAT THEY'RE SAYING. 574 00:29:10,783 --> 00:29:12,051 WELL, DID YOU TELL SOMEBODY 575 00:29:12,051 --> 00:29:13,252 THAT SOMETHING HAPPENED? 576 00:29:13,252 --> 00:29:14,753 NAOMI... 577 00:29:14,753 --> 00:29:16,688 I DON'T NEED TO LIE ABOUT SEX. 578 00:29:16,688 --> 00:29:18,590 WELL, THEN TELL ME. 579 00:29:18,590 --> 00:29:20,026 WHAT HAPPENED? 580 00:29:22,895 --> 00:29:24,763 BEAU, LOOK AT ME. 581 00:29:24,763 --> 00:29:25,932 WHAT?! 582 00:29:25,932 --> 00:29:27,834 WHAT DO YOU WANT ME TO SAY? 583 00:29:27,834 --> 00:29:29,301 YOU WANNA HAVE SEX, YOU DON'T WANNA HAVE SEX, 584 00:29:29,301 --> 00:29:30,636 YOU CAN'T MAKE UP YOUR MIND, 585 00:29:30,636 --> 00:29:32,504 AND NOW YOU'RE ASKING WHAT? 586 00:29:32,504 --> 00:29:34,073 WHY ARE YOU SO ANGRY? 587 00:29:34,073 --> 00:29:36,042 WELL, JEEZ, NAOMI, I WONDER. 588 00:29:36,042 --> 00:29:38,377 THAT'S NOT AN ANSWER, BEAU. 589 00:29:41,413 --> 00:29:42,781 Beau: NAOMI. 590 00:29:47,186 --> 00:29:50,056 ACTUALLY, THE FIRST TIME I HEARD IT, IT WAS, UH... 591 00:29:50,056 --> 00:29:51,257 IN SOME SORT OF ORGY, 592 00:29:51,257 --> 00:29:54,093 BUT THAT WAS OBVIOUSLY AN EXAGGERATION. 593 00:29:54,093 --> 00:29:57,096 WHAT, UH... WHAT REALLY HAPPENED 594 00:29:57,096 --> 00:29:59,531 WAS, UH, SHE PASSED OUT DRUNK, 595 00:29:59,531 --> 00:30:00,799 AND THEY HAD SEX ANYWAY. 596 00:30:00,799 --> 00:30:02,969 THIS IS WHAT THEY'RE SAYING? 597 00:30:02,969 --> 00:30:05,004 Travis: WELL, YOU SEE, THAT'S THE BEST PART. 598 00:30:05,004 --> 00:30:07,039 IT KEEPS CHANGING. 599 00:30:08,207 --> 00:30:10,176 4 DIFFERENT PEOPLE HAVE ALREADY SAID IT. 600 00:30:10,176 --> 00:30:12,344 4 DIFFERENT PEOPLE TOLD YOU 601 00:30:12,344 --> 00:30:14,646 THAT SHE PASSED OUT AND THAT... 602 00:30:15,447 --> 00:30:17,850 AND THAT HE HAD SEX WITH HER ANYWAY. 603 00:30:17,850 --> 00:30:19,551 THAT'S THE NEW STORY. 604 00:30:22,454 --> 00:30:24,823 TRAVIS, DID ANYONE USE THE WORD "RAPE"? 605 00:30:25,791 --> 00:30:28,127 YOU SAID YOU WERE PASSED OUT. 606 00:30:28,127 --> 00:30:29,996 I WAS. 607 00:30:29,996 --> 00:30:31,530 JUST--DON'T YOU THINK IT'S POSSIBLE 608 00:30:31,530 --> 00:30:33,165 THAT HE WENT AHEAD ANYWAY? 609 00:30:33,165 --> 00:30:35,167 WELL, I WOULD KNOW, WOULDN'T I? 610 00:30:35,167 --> 00:30:36,903 I MEAN, IF SOMETHING LIKE THAT HAPPENED, 611 00:30:36,903 --> 00:30:38,104 WOULDN'T I KNOW? 612 00:30:38,104 --> 00:30:39,405 YOU SAID YOU WERE DRINKING. 613 00:30:39,405 --> 00:30:41,673 LOOK, NAOMI, I SAW HIM COME DOWN THAT NIGHT. 614 00:30:41,673 --> 00:30:42,708 HIS FRIENDS WERE THERE, 615 00:30:42,708 --> 00:30:44,110 THEY ASKED HIM IF HE GOT LAID, 616 00:30:44,110 --> 00:30:46,478 AND HE WAS BRAGGING TO THEM. 617 00:30:47,846 --> 00:30:49,648 I'M JUST NOT QUITE SURE 618 00:30:49,648 --> 00:30:50,849 WHAT YOU'RE SO UPSET ABOUT. 619 00:30:50,849 --> 00:30:53,419 THIS IS AN UGLY TURN, DERRICK. 620 00:30:53,419 --> 00:30:54,286 WELL, HEY, 621 00:30:54,286 --> 00:30:56,055 YOU LOVED IT WHEN IT WAS A 3-WAY. 622 00:30:56,055 --> 00:30:57,323 HOW'S THIS WORSE THAN THAT? 623 00:30:57,323 --> 00:30:59,058 STOP IT. 624 00:31:00,426 --> 00:31:03,162 I LOVE IT WHEN YOU GET ALL PILGRIMATIC. I... 625 00:31:03,162 --> 00:31:04,796 NOT EVERYBODY'S SAYING IT. 626 00:31:04,796 --> 00:31:06,432 SOME PEOPLE STILL BELIEVE 627 00:31:06,432 --> 00:31:07,833 THE OLD RUMOR. 628 00:31:07,833 --> 00:31:09,335 YOU KNOW, THE MULTIPLE. 629 00:31:09,335 --> 00:31:11,503 HA! ANYWAY, IT'LL PROBABLY CHANGE 630 00:31:11,503 --> 00:31:12,738 IN A DAY OR SO. 631 00:31:12,738 --> 00:31:13,805 I DON'T THINK IT'S SOMETHING 632 00:31:13,805 --> 00:31:16,042 YOU GOT TO BE SO WORRIED ABOUT. 633 00:31:16,943 --> 00:31:19,211 JONES. 634 00:31:19,211 --> 00:31:21,813 IT'S NOT TRUE. IT'S JUST WORDS. 635 00:31:21,813 --> 00:31:23,916 SO HOW BAD CAN THAT BE? 636 00:31:27,119 --> 00:31:28,220 Naomi: ...WE WERE KISSING, 637 00:31:28,220 --> 00:31:30,289 AND...I HAD BEEN DRINKING, 638 00:31:30,289 --> 00:31:32,791 SO I WASN'T FEELING GREAT. 639 00:31:32,791 --> 00:31:35,361 HE PUSHED ME ONTO THE BED AND... 640 00:31:38,197 --> 00:31:40,566 I TOLD HIM TO STOP, AND HE KEPT GOING. 641 00:31:42,868 --> 00:31:44,236 WELL, NAOMI, I'M SORRY, 642 00:31:44,236 --> 00:31:46,705 BUT WE'RE GONNA NEED TO BE MORE SPECIFIC. 643 00:31:46,705 --> 00:31:48,107 WHAT EXACTLY DID HE DO 644 00:31:48,107 --> 00:31:50,009 AFTER YOU TOLD HIM TO STOP? 645 00:31:51,944 --> 00:31:53,245 WELL... 646 00:31:53,245 --> 00:31:56,248 HE PUT HIS HANDS UNDER MY SKIRT... 647 00:31:56,248 --> 00:31:58,817 AND...HE WAS PULLING AT MY PANTIES, 648 00:31:58,817 --> 00:32:01,020 TRYING TO TAKE THEM OFF... 649 00:32:03,122 --> 00:32:06,325 AND...I THINK HE RAPED ME. 650 00:32:07,693 --> 00:32:09,261 YOU THINK HE RAPED YOU? 651 00:32:09,261 --> 00:32:12,264 I PASSED OUT. I DON'T KNOW WHAT HAPPENED AFTERWARDS, 652 00:32:12,264 --> 00:32:14,400 BUT HE WAS BRAGGING ABOUT IT, OK? 653 00:32:14,400 --> 00:32:15,634 HE TOLD... 654 00:32:15,634 --> 00:32:17,736 IT WAS EVERYWHERE. EVERYBODY KNOWS HE DID IT. 655 00:32:17,736 --> 00:32:18,737 HOW DO THEY KNOW? 656 00:32:18,737 --> 00:32:20,772 I KNOW. 657 00:32:20,772 --> 00:32:22,474 OK? 658 00:32:22,474 --> 00:32:24,476 I KNOW HE DID IT. 659 00:32:51,470 --> 00:32:52,871 HEY. YOU READY? 660 00:32:53,839 --> 00:32:56,942 SO HOW COME THE COPS ARE TALKING TO RICK AND BRUCE? 661 00:32:56,942 --> 00:32:59,345 NAOMI'S PRESSING CHARGES AGAINST BEAU. 662 00:32:59,345 --> 00:33:00,412 CHARGES? 663 00:33:00,412 --> 00:33:02,414 HE RAPED HER WHILE SHE WAS PASSED OUT, JONES. 664 00:33:02,414 --> 00:33:03,749 YOU WERE THE ONE WHO TOLD ME. 665 00:33:03,749 --> 00:33:04,983 THAT'S NOT WHAT I SAID. 666 00:33:04,983 --> 00:33:06,718 YEAH, WELL, I HEARD HIM BRAGGING ABOUT IT 667 00:33:06,718 --> 00:33:08,154 AND SO DID LESLIE. 668 00:33:08,154 --> 00:33:09,721 ASSHOLE. HE SHOULD BE IN JAIL 669 00:33:09,721 --> 00:33:10,722 FOR WHAT HE DID. 670 00:33:12,724 --> 00:33:14,326 I DIDN'T DO IT. 671 00:33:14,326 --> 00:33:16,262 YOUR FRIENDS SAY YOU DID. 672 00:33:17,796 --> 00:33:19,398 THEY WEREN'T THERE, WERE THEY? 673 00:33:22,734 --> 00:33:24,303 HEY, LISTEN, I ADMIT, UH... 674 00:33:24,303 --> 00:33:26,338 WHEN I CAME DOWNSTAIRS, BILL ASKED ME, OK? 675 00:33:26,338 --> 00:33:27,506 BUT HE NEVER GOT SPECIFIC. 676 00:33:27,506 --> 00:33:29,141 IT WAS MORE LIKE DID YOU OR DIDN'T YOU? 677 00:33:29,141 --> 00:33:31,077 SO I JUST LET HIM THINK WHAT HE WANTED TO. 678 00:33:31,077 --> 00:33:32,444 WHAT DID HAPPEN? 679 00:33:32,444 --> 00:33:35,614 UH, WE WERE DRINKING, MAKING OUT, 680 00:33:35,614 --> 00:33:37,916 AND THEN SHE PASSED OUT, SO I LEFT. 681 00:33:37,916 --> 00:33:40,086 YOU DON'T RECALL HER SAYING NO, 682 00:33:40,086 --> 00:33:43,422 PROTESTING, TRYING TO PUSH YOU AWAY? 683 00:33:46,292 --> 00:33:47,426 YES. 684 00:33:47,426 --> 00:33:50,096 YES, OK? I REMEMBER SOME OF THAT, BUT... 685 00:33:50,096 --> 00:33:51,830 LISTEN, SHE WAS SAYING NO, BUT-- 686 00:33:51,830 --> 00:33:53,031 BUT WHAT? 687 00:33:54,866 --> 00:33:56,535 BUT SHE DIDN'T MEAN IT. 688 00:33:56,535 --> 00:33:58,304 I DIDN'T DO IT! 689 00:34:01,507 --> 00:34:03,375 Derrick: HEY, TRAVIS, COME LOOK AT THIS. 690 00:34:03,375 --> 00:34:05,177 YEAH, ZOOM IN ON THAT. 691 00:34:06,044 --> 00:34:08,480 AH, YES! GOT HER BY THE WRIST. 692 00:34:12,050 --> 00:34:14,052 YOU GUYS HEARD OF WHAT'S HAPPENING? 693 00:34:15,121 --> 00:34:16,588 WE HAVE TO COME CLEAN. 694 00:34:16,588 --> 00:34:18,257 COME CLEAN? 695 00:34:18,257 --> 00:34:20,626 LIKE MURDER, SHE WROTE. YEAH. 696 00:34:20,626 --> 00:34:21,927 HA HA HA! 697 00:34:21,927 --> 00:34:23,562 THIS IS A REAL COP, DERRICK. 698 00:34:23,562 --> 00:34:25,997 HER INVESTIGATION'S NOT A JOKE. 699 00:34:25,997 --> 00:34:26,998 AND WHAT I WANT TO KNOW IS 700 00:34:26,998 --> 00:34:28,033 WHY SHE DIDN'T TALK TO YOU. 701 00:34:28,033 --> 00:34:29,135 I MEAN, YOU WERE THE ONLY ONE 702 00:34:29,135 --> 00:34:30,602 WHO ACTUALLY SAW ANYTHING. 703 00:34:31,770 --> 00:34:33,038 WELL, THAT'S INTERESTING. 704 00:34:33,038 --> 00:34:35,307 I MEAN, DO YOU THINK THEY COULD ACTUALLY ARREST SOMEBODY 705 00:34:35,307 --> 00:34:37,176 BECAUSE WHAT PEOPLE BELIEVE IS THE TRUTH 706 00:34:37,176 --> 00:34:39,111 IS ACTUALLY MORE REAL THAN THE TRUTH? 707 00:34:40,412 --> 00:34:42,181 YEAH, THAT'S REAL INTERESTING, TRAVIS. 708 00:34:42,181 --> 00:34:44,082 WHAT A FASCINATING IDEA! 709 00:34:45,317 --> 00:34:48,120 OK, YOU NEED TO RELAX A LITTLE BIT, 710 00:34:48,120 --> 00:34:50,322 'CAUSE NOBODY'S BEEN ARRESTED. 711 00:34:50,322 --> 00:34:53,058 I'M REALLY NOT SURE WHAT YOU WANNA DO. 712 00:34:53,058 --> 00:34:55,127 "COME CLEAN"? HOW'RE WE GONNA DO THAT? 713 00:34:55,127 --> 00:34:56,128 WE'RE GONNA TELL THEM, WHAT, 714 00:34:56,128 --> 00:34:57,363 THAT WE STARTED A RUMOR 715 00:34:57,363 --> 00:35:00,566 THAT MAY JUST TURN OUT TO BE TRUE? 716 00:35:00,566 --> 00:35:01,600 I MEAN, JONES... 717 00:35:01,600 --> 00:35:03,068 YOU KNOW, I DIDN'T EXACTLY SEE 718 00:35:03,068 --> 00:35:04,603 EVERYTHING THAT WENT ON IN THAT ROOM. 719 00:35:04,603 --> 00:35:05,871 I MEAN, WHAT IF... 720 00:35:05,871 --> 00:35:07,038 WHAT IF HE DID RAPE HER? 721 00:35:07,038 --> 00:35:09,475 THAT'S NOT FUNNY, DERRICK. 722 00:35:09,475 --> 00:35:11,243 HEY, I WAS LOADED, MARIE WAS THROWING UP, 723 00:35:11,243 --> 00:35:13,579 AND BEAU SHUT THE DOOR. 724 00:35:13,579 --> 00:35:16,415 YOU SAID YOU WERE CERTAIN THERE WASN'T ANY SEX. 725 00:35:16,415 --> 00:35:19,585 WELL, I'M ALMOST CERTAIN. 80%. 726 00:35:19,585 --> 00:35:20,552 Travis: WOW. 727 00:35:20,552 --> 00:35:21,720 WHEN FACT SHIFTS WITH PERCEPTION-- 728 00:35:21,720 --> 00:35:23,822 I COULD TRACK THIS ALGORITHMICALLY. 729 00:35:23,822 --> 00:35:25,824 TRAVIS, HE LIED TO US! 730 00:35:26,825 --> 00:35:29,495 I DIDN'T LIE, OK? I MAY HAVE MADE A MISTAKE. 731 00:35:29,495 --> 00:35:32,063 DERRICK, THE WHOLE POINT WAS YOU KNEW FOR SURE 732 00:35:32,063 --> 00:35:33,565 THEY DIDN'T HAVE SEX. 733 00:35:33,565 --> 00:35:35,133 WELL, I'M SORRY, ALL RIGHT? 734 00:35:35,133 --> 00:35:36,602 I SCREWED UP. 735 00:35:36,602 --> 00:35:38,170 TRAV? 736 00:35:38,170 --> 00:35:39,905 THIS--THIS IS A MESS. 737 00:35:39,905 --> 00:35:41,307 WE--WE NEED TO GO TO THE COPS, 738 00:35:41,307 --> 00:35:42,908 WE NEED TO TELL SOMEONE WHAT WE DID-- 739 00:35:42,908 --> 00:35:44,976 NO. WHOA. HA HA! JONES, 740 00:35:44,976 --> 00:35:46,111 CALM DOWN, ALL RIGHT? 741 00:35:46,111 --> 00:35:47,379 NOW THINK FOR A MINUTE. 742 00:35:47,379 --> 00:35:48,647 WHAT IF HE DID RAPE HER? 743 00:35:48,647 --> 00:35:50,282 I MEAN, SHE'S SAYING HE DID. 744 00:35:50,282 --> 00:35:52,218 SO IF WE GO TELL EVERYONE THIS IS A HOAX, 745 00:35:52,218 --> 00:35:53,585 HE'LL GET AWAY WITH IT. 746 00:35:54,386 --> 00:35:55,721 IS THAT WHAT YOU WANT? 747 00:35:58,557 --> 00:36:00,726 ALL I'M SAYING IS IF SHE FILED A COMPLAINT, 748 00:36:00,726 --> 00:36:02,628 THEN MAYBE SHE KNOWS SOMETHING WE DON'T. 749 00:36:02,628 --> 00:36:03,995 IF HE DID IT, YOU KNOW WHAT? 750 00:36:03,995 --> 00:36:05,030 POLICE ARE GONNA FIND THE EVIDENCE. 751 00:36:05,030 --> 00:36:06,898 IF HE DIDN'T... NO HARM DONE. 752 00:36:06,898 --> 00:36:09,167 WE SHOULD JUST...WE SHOULD JUST KEEP QUIET. 753 00:36:09,167 --> 00:36:10,202 Travis: YEAH. 754 00:36:10,202 --> 00:36:12,070 DON'T WORRY ABOUT IT. 755 00:36:12,070 --> 00:36:13,639 THE POLICE KNOW WHAT THEY'RE DOING, 756 00:36:13,639 --> 00:36:15,073 RIGHT? 757 00:36:15,073 --> 00:36:17,709 [SOFT ROCK MUSIC PLAYING] 758 00:36:23,849 --> 00:36:25,451 THANKS A LOT. 759 00:36:30,856 --> 00:36:32,023 DON'T DO IT, MAN. 760 00:36:32,023 --> 00:36:33,225 NAOMI. 761 00:36:34,226 --> 00:36:36,628 BEAU'S HERE. 762 00:36:36,628 --> 00:36:37,763 WHAT? 763 00:36:39,898 --> 00:36:41,166 I'LL TALK TO HIM. 764 00:36:41,166 --> 00:36:43,269 NAOMI. NAOMI, I NEED TO TALK TO YOU. 765 00:36:43,269 --> 00:36:44,536 GO AWAY. 766 00:36:44,536 --> 00:36:46,204 WHATEVER IT IS THAT YOU THINK I DID, 767 00:36:46,204 --> 00:36:47,373 I DON'T KNOW WHY YOU THINK THAT. I DIDN'T-- 768 00:36:47,373 --> 00:36:49,140 I'M TALKING TO HER! DO YOU MIND? 769 00:36:49,140 --> 00:36:50,376 YEAH, I DO MIND! 770 00:36:50,376 --> 00:36:52,711 HEY, COME ON. 771 00:36:54,980 --> 00:36:57,283 WHAT THE HELL-- GET OFF OF ME! 772 00:36:57,283 --> 00:36:58,717 NAOMI! 773 00:36:58,717 --> 00:36:59,551 HEY, BEAU! 774 00:36:59,551 --> 00:37:02,421 EVERYBODY KNOWS WHAT YOU DID. 775 00:37:02,421 --> 00:37:04,956 GET YOUR HANDS OFF! COME ON, GET YOUR HANDS OFF OF ME. 776 00:37:16,368 --> 00:37:19,070 WITNESSES SAY HE WAS BRAGGING ABOUT IT. 777 00:37:19,070 --> 00:37:20,539 HIS INTERVIEWS, HE'S MAKING NOISE 778 00:37:20,539 --> 00:37:22,574 THAT SHE SAID NO BUT MEANT YES. 779 00:37:22,574 --> 00:37:24,443 THE RAPE KIT IS INCONCLUSIVE. 780 00:37:24,443 --> 00:37:25,744 WELL, AS IT TURNS OUT, 781 00:37:25,744 --> 00:37:27,646 THIS GIRL COULDN'T BE MORE HOOKED UP. 782 00:37:27,646 --> 00:37:29,348 HER UNCLE'S A CITY COUNCILMAN, 783 00:37:29,348 --> 00:37:31,249 FRIEND OF THE MAYOR WHO CALLED ME PERSONALLY 784 00:37:31,249 --> 00:37:33,084 TO FIND OUT HOW THIS INVESTIGATION'S GOING. 785 00:37:33,084 --> 00:37:34,920 WHAT DO YOU WANT ME TO DO? 786 00:37:39,257 --> 00:37:40,859 [ROCK MUSIC PLAYING] 787 00:37:44,696 --> 00:37:45,897 OK, PEOPLE, 788 00:37:45,897 --> 00:37:47,666 LIKE EVERYTHING ELSE IN AMERICA TODAY, 789 00:37:47,666 --> 00:37:51,670 THIS REVOLUTION... WILL BE TELEVISED. 790 00:37:51,670 --> 00:37:52,771 SO, WHAT... 791 00:37:52,771 --> 00:37:54,540 NOW WE'RE SUPPOSED TO HAVE SOME BIG DEBATE 792 00:37:54,540 --> 00:37:56,608 ON "OH, WOMEN ARE VICTIMS, 793 00:37:56,608 --> 00:37:58,710 TAKE NO RESPONSIBILITY FOR YOUR SEXUALITY"? 794 00:37:58,710 --> 00:38:00,912 NOW, BE FAIR. THAT'S NOT AN ARGUMENT. 795 00:38:00,912 --> 00:38:03,382 THAT'S SIMPLY POSTFEMINIST BACKLASH. 796 00:38:03,382 --> 00:38:04,883 YEAH. YEAH, RIGHT. 797 00:38:13,559 --> 00:38:16,628 LIKE, BECAUSE I HAVE A COCK, THAT MEANS I'M A RAPIST. 798 00:38:16,628 --> 00:38:18,997 YEAH...WE'RE JUST A BUNCH 799 00:38:18,997 --> 00:38:20,432 OF HYSTERICAL BITCHES. 800 00:38:20,432 --> 00:38:21,900 YOU SAID IT, NOT ME. 801 00:38:28,540 --> 00:38:29,741 EVER SINCE THEY LET US VOTE, 802 00:38:29,741 --> 00:38:31,510 YOU GUYS HAVE TO DEAL WITH THE FACT 803 00:38:31,510 --> 00:38:33,412 THAT WE CAN ACTUALLY TALK. 804 00:38:33,412 --> 00:38:34,680 SO WHO GAVE 'EM THE VOTE ANYWAY? 805 00:38:34,680 --> 00:38:36,314 WHEN AND HOW DID THAT HAPPEN? 806 00:38:36,314 --> 00:38:37,883 [CHEERING] 807 00:38:38,750 --> 00:38:41,219 WAIT, WAIT. LIKE MEN DO SUCH A GREAT JOB 808 00:38:41,219 --> 00:38:42,220 RUNNING THE SHOW, OK? 809 00:38:42,220 --> 00:38:43,389 UP TO YOU GUYS, 810 00:38:43,389 --> 00:38:45,457 THE WHOLE PLANET WOULD BE NUKED BY NOW. 811 00:38:45,457 --> 00:38:47,058 [LAUGHING] 812 00:38:52,531 --> 00:38:55,300 WHAT I WANNA KNOW, IF THIS IS SUCH A TERRIBLE THING, 813 00:38:55,300 --> 00:38:57,302 HOW COME IT HASN'T BEEN IN THE NEWSPAPER? 814 00:38:57,302 --> 00:38:58,670 OK, NOW THERE'S A REAL QUESTION. 815 00:38:58,670 --> 00:39:00,772 ANYBODY WANT TO ADDRESS IT? 816 00:39:01,973 --> 00:39:04,610 MISS JONES, MAYBE YOU HAVE AN OPINION. 817 00:39:11,450 --> 00:39:13,819 BUT IT'S JUST GOSSIP RIGHT NOW, ISN'T IT? 818 00:39:30,335 --> 00:39:31,570 Naomi: WHO IS IT? 819 00:39:31,570 --> 00:39:33,472 IT'S CATHY JONES. 820 00:39:33,472 --> 00:39:35,106 I'M IN YOUR CALC CLASS. 821 00:39:38,276 --> 00:39:39,611 HI. 822 00:39:39,611 --> 00:39:41,913 UH, CAN I COME IN? 823 00:39:41,913 --> 00:39:44,149 JUST FOR A SECOND. 824 00:39:55,260 --> 00:39:56,795 TAKING A BREAK? 825 00:39:57,796 --> 00:39:59,364 CAN I... 826 00:39:59,364 --> 00:40:00,832 I DON'T USUALLY DRINK. 827 00:40:00,832 --> 00:40:02,167 I JUST, UH... 828 00:40:02,167 --> 00:40:03,401 IT'S BEEN... 829 00:40:03,401 --> 00:40:04,570 REALLY... 830 00:40:04,570 --> 00:40:07,072 EVERYBODY KNOWS WHAT'S BEEN GOING ON. 831 00:40:16,782 --> 00:40:18,884 IT'S WEIRD, YOU KNOW. PEOPLE YOU BARELY KNOW 832 00:40:18,884 --> 00:40:20,852 KNOWING SO MUCH ABOUT YOUR LIFE. 833 00:40:24,523 --> 00:40:26,525 YOU KNOW, I-- I WANTED TO ASK. 834 00:40:26,525 --> 00:40:27,959 I KNOW IT'S NONE OF MY BUSINESS, 835 00:40:27,959 --> 00:40:29,160 BUT, UH... 836 00:40:29,160 --> 00:40:31,663 ARE YOU SURE ABOUT WHAT HAPPENED AT THAT PARTY? 837 00:40:31,663 --> 00:40:32,698 TO YOU, I MEAN. 838 00:40:32,698 --> 00:40:33,999 ARE YOU A FRIEND OF BEAU'S? 839 00:40:33,999 --> 00:40:35,734 NO. HA! 840 00:40:35,734 --> 00:40:37,235 NO, I DON'T EVEN KNOW HIM. 841 00:40:37,235 --> 00:40:39,671 I HEARD HE WAS ARRESTED TODAY. 842 00:40:39,671 --> 00:40:41,039 WELL, HE SHOULD BE. 843 00:40:41,039 --> 00:40:43,208 HE SHOULD BE ARRESTED FOR WHAT HE DID. 844 00:40:43,208 --> 00:40:46,077 YOU KNOW, IT'S WEIRD, YOU COMING HERE AND... 845 00:40:46,077 --> 00:40:49,481 I DON'T KNOW. I THOUGHT YOU NEVER LIKED ME. 846 00:40:50,381 --> 00:40:52,417 WELL, NAOMI... 847 00:40:52,417 --> 00:40:54,152 GOODWIN AT THE PLAZA. 848 00:40:54,152 --> 00:40:55,420 WHAT? 849 00:40:55,420 --> 00:40:57,889 AT FISKER'S PARTY, YOU TOLD SHEILA. 850 00:40:59,525 --> 00:41:01,359 THERE WAS A RUMOR GOING AROUND 851 00:41:01,359 --> 00:41:03,595 ABOUT ME AND PROFESSOR GOODWIN. 852 00:41:04,563 --> 00:41:06,197 AND YOU DON'T KNOW ANYTHING ABOUT THAT, 853 00:41:06,197 --> 00:41:07,198 DO YOU? 854 00:41:07,198 --> 00:41:09,000 NO. 855 00:41:10,168 --> 00:41:11,870 WELL, I DON'T KNOW 856 00:41:11,870 --> 00:41:13,271 WHY WE'VE NEVER REALLY TALKED. 857 00:41:13,271 --> 00:41:15,106 I GUESS MAYBE... 858 00:41:15,106 --> 00:41:17,909 I WAS INTIMIDATED BY THE MONT BLANC. 859 00:41:21,680 --> 00:41:24,049 WHERE ARE YOU FROM, CATHY? 860 00:41:25,050 --> 00:41:26,818 CALL ME JONES. 861 00:41:26,818 --> 00:41:28,587 I'M FROM, UH, MASSACHUSETTS, 862 00:41:28,587 --> 00:41:29,621 PLYMOUTH. 863 00:41:29,621 --> 00:41:31,957 OH. LIKE THE MAYFLOWER. 864 00:41:34,626 --> 00:41:35,861 YEAH. YEAH, I KNOW, 865 00:41:35,861 --> 00:41:37,395 IT'S A GREAT SOURCE OF AMUSEMENT 866 00:41:37,395 --> 00:41:38,630 TO ONE OF MY ROOMMATES. 867 00:41:38,630 --> 00:41:39,898 AND WHY IS THAT? 868 00:41:39,898 --> 00:41:41,733 I DON'T KNOW. I MEAN, HE'S FROM DANBURY-- 869 00:41:41,733 --> 00:41:43,535 I'M FROM DANBURY. 870 00:41:43,535 --> 00:41:45,036 WHAT'S HIS NAME? MAYBE I KNOW HIM. 871 00:41:45,036 --> 00:41:47,539 UH, I DON'T THINK SO. DERRICK WEBB? 872 00:41:52,043 --> 00:41:54,680 IS THIS SOME KIND OF SICK JOKE? 873 00:41:54,680 --> 00:41:56,514 NAOMI-- GET OUT OF HERE! 874 00:41:56,514 --> 00:41:57,983 GET OUT! 875 00:42:19,705 --> 00:42:21,306 Derrick: SHE SAID WHAT? 876 00:42:21,306 --> 00:42:22,874 SHE KNOWS YOU, DERRICK. 877 00:42:22,874 --> 00:42:24,643 OK, WELL, THAT'S NEWS TO ME, JONES. 878 00:42:24,643 --> 00:42:26,477 YOU WENT TO THE SAME HIGH SCHOOL! 879 00:42:26,477 --> 00:42:27,813 WELL, IT WAS A BIG SCHOOL, YOU KNOW. 880 00:42:27,813 --> 00:42:29,480 WE MIGHT'VE PASSED EACH OTHER IN THE HALL. 881 00:42:29,480 --> 00:42:31,449 I MENTIONED YOUR NAME, SHE GOES CRAZY! 882 00:42:31,449 --> 00:42:32,718 YOU KNOW HER, YOU ASSHOLE! 883 00:42:32,718 --> 00:42:33,919 YOU KNOW WHAT, IF YOU WOULD CALM DOWN A BIT, 884 00:42:33,919 --> 00:42:36,187 WE MIGHT BE ABLE TO FIGURE THIS OUT. 885 00:42:41,993 --> 00:42:44,529 SO BEAUTIFUL WHEN YOU GET MAD. 886 00:42:44,529 --> 00:42:46,598 DERRICK. 887 00:42:47,398 --> 00:42:49,400 I'M SORRY. 888 00:42:49,400 --> 00:42:52,638 I'M JUST... I'M NOT IMMUNE, OK? 889 00:42:52,638 --> 00:42:54,505 YOU ACTED LIKE YOU NEVER HEARD OF HER. 890 00:42:54,505 --> 00:42:56,541 ALL RIGHT, LISTEN. LISTEN TO ME. 891 00:42:56,541 --> 00:42:57,943 LISTEN TO ME. 892 00:42:57,943 --> 00:42:59,945 PEOPLE TEND TO REMEMBER ME. 893 00:42:59,945 --> 00:43:02,914 AND YOU KNOW WHAT? I DON'T ALWAYS REMEMBER THEM. 894 00:43:02,914 --> 00:43:06,551 SO...MAYBE OUR PARENTS KNEW EACH OTHER OR SOMETHING. 895 00:43:06,551 --> 00:43:08,153 I MEAN, DID SHE SAY ANYTHING? 896 00:43:08,153 --> 00:43:09,187 SHE JUST LOST IT. 897 00:43:09,187 --> 00:43:11,589 I DON'T KNOW WHAT THAT'S ABOUT, HONESTLY. 898 00:43:11,589 --> 00:43:12,758 I DON'T KNOW. 899 00:43:12,758 --> 00:43:14,860 DON'T MESS WITH ME, DERRICK, NOT NOW. 900 00:43:14,860 --> 00:43:16,862 JONES, NOT WITH YOU. 901 00:43:19,130 --> 00:43:21,032 YOU SWEAR? 902 00:43:22,133 --> 00:43:23,735 NOT WITH YOU. 903 00:43:28,840 --> 00:43:30,776 NOT NOW, DERRICK. NO. 904 00:43:31,576 --> 00:43:33,311 WHEN? 905 00:43:35,113 --> 00:43:36,648 WHEN? 906 00:45:06,872 --> 00:45:09,107 Derrick: PEOPLE TEND TO REMEMBER ME. 907 00:45:09,107 --> 00:45:11,777 AND YOU KNOW WHAT? I DON'T ALWAYS REMEMBER THEM. 908 00:45:13,144 --> 00:45:14,679 Naomi: WHAT'S HIS NAME? MAYBE I KNOW HIM. 909 00:45:14,679 --> 00:45:16,681 Jones: I DON'T THINK SO. DERRICK WEBB? 910 00:45:16,681 --> 00:45:19,417 IS THIS SOME KIND OF SICK JOKE? 911 00:45:19,417 --> 00:45:21,887 NAOMI-- GET OUT OF HERE! 912 00:47:29,414 --> 00:47:31,282 SON OF A BITCH. 913 00:47:42,994 --> 00:47:44,229 HI. UH, I'M LOOKING FOR A STUDENT 914 00:47:44,229 --> 00:47:45,931 WHO MAY OR MAY NOT HAVE GRADUATED 915 00:47:45,931 --> 00:47:47,198 A COUPLE OF YEARS AGO. 916 00:47:47,198 --> 00:47:48,967 SURE. WHAT'S, UH, WHAT'S THE STUDENT'S NAME? 917 00:47:48,967 --> 00:47:51,402 UH, NAOMI PRESTON. 918 00:47:51,402 --> 00:47:53,471 UH, I'M SORRY. 919 00:47:53,471 --> 00:47:55,540 WE CAN'T GIVE OUT INFORMATION ON ANY STUDENTS, 920 00:47:55,540 --> 00:47:56,607 PRESENT OR PAST. 921 00:47:56,607 --> 00:47:57,909 WHAT? 922 00:48:09,955 --> 00:48:11,156 EXCUSE ME. 923 00:48:11,156 --> 00:48:13,024 I CAN'T TALK TO YOU. 924 00:48:13,024 --> 00:48:15,226 I'M TRYING TO HELP NAOMI PRESTON. 925 00:48:15,226 --> 00:48:17,095 HOW'D YOU HEAR ABOUT THAT ANYWAY? 926 00:48:17,095 --> 00:48:18,863 NO ONE'S TALKED ABOUT THAT IN A LONG TIME. 927 00:48:18,863 --> 00:48:20,665 I JUST HEARD ABOUT IT. 928 00:48:20,665 --> 00:48:22,267 WELL, I DON'T KNOW HOW YOU DID. 929 00:48:22,267 --> 00:48:24,936 DIDN'T EVEN MAKE THE PAPERS HERE. 930 00:48:27,605 --> 00:48:29,074 THE RICH PEOPLE. 931 00:48:30,075 --> 00:48:31,909 I GUESS IF YOU HAVE ENOUGH MONEY, 932 00:48:31,909 --> 00:48:33,478 YOU CAN MAKE JUST ANYTHING GO AWAY. 933 00:48:33,478 --> 00:48:36,047 YOU GOT THAT RIGHT. 934 00:48:36,881 --> 00:48:39,084 THE STORIES I COULD TELL. 935 00:48:39,985 --> 00:48:42,153 AH, THE WAY THESE KIDS BEHAVE. 936 00:48:42,153 --> 00:48:44,422 NO CONSEQUENCES FOR ANY OF THEM. 937 00:48:44,422 --> 00:48:47,058 SO CAN YOU, UH, TELL ME WHAT DID HAPPEN? 938 00:48:53,031 --> 00:48:55,566 [ROCK 'N' ROLL MUSIC PLAYING] 939 00:48:55,566 --> 00:49:01,672 * EVERYBODY KNOWS, YOU BLEW IT * 940 00:49:01,672 --> 00:49:05,076 * EVERYBODY KNOWS, EVERYBODY KNOWS * 941 00:49:05,076 --> 00:49:07,912 * EVERYBODY KNOWS YOU COULD HIDE * 942 00:49:07,912 --> 00:49:09,714 TRAVIS, I REALLY NEED TO TALK TO YOU. 943 00:49:09,714 --> 00:49:11,316 YEAH, IN A MINUTE. 944 00:49:15,486 --> 00:49:17,288 NOW, TRAVIS. 945 00:49:19,090 --> 00:49:21,226 HE RAPED NAOMI PRESTON IN HIGH SCHOOL, 946 00:49:21,226 --> 00:49:23,528 AND THEN HE USED US TO DO IT AGAIN. 947 00:49:28,199 --> 00:49:30,068 I THINK WE COULD USE A DRINK. 948 00:49:30,068 --> 00:49:31,802 DON'T TRY AND DENY IT, DERRICK. 949 00:49:31,802 --> 00:49:33,104 I WENT TO DANBURY. 950 00:49:33,104 --> 00:49:35,073 OH, SO WE'RE BACK TO MURDER, SHE WROTE. 951 00:49:35,073 --> 00:49:36,241 I TALKED TO SOMEONE WHO WAS THERE. 952 00:49:36,241 --> 00:49:37,308 I HEARD THE WHOLE STORY. 953 00:49:37,308 --> 00:49:38,843 SOMEONE WHO WAS THERE? 954 00:49:38,843 --> 00:49:39,977 WHICH WOULD BE WHO? 955 00:49:39,977 --> 00:49:41,679 A TYPIST. 956 00:49:43,648 --> 00:49:45,483 SHE WORKED AT THE SCHOOL FOR A LONG TIME. 957 00:49:45,483 --> 00:49:47,285 SHE--SHE SAID SHE KNEW EVERYTHING ABOUT YOU. 958 00:49:47,285 --> 00:49:48,719 SO YOU HEARD IT IN PASSING 959 00:49:48,719 --> 00:49:50,055 FROM A COMPLETE STRANGER 960 00:49:50,055 --> 00:49:51,756 AND DECIDED IT HAD TO BE TRUE. 961 00:49:51,756 --> 00:49:53,491 TELL ME WHAT YOU DID! 962 00:49:53,491 --> 00:49:56,561 OK, NAOMI AND I WERE TOGETHER, ALL RIGHT? 963 00:49:59,264 --> 00:50:00,531 I SHOULD HAVE TOLD YOU. 964 00:50:00,531 --> 00:50:02,633 AND ONE NIGHT, IT WAS FINALLY THE RIGHT TIME 965 00:50:02,633 --> 00:50:05,103 FOR BOTH OF US, AFTER WAITING FOR YEARS. 966 00:50:05,103 --> 00:50:06,604 AND SHE WANTED TO. 967 00:50:06,604 --> 00:50:10,108 WE WERE BOTH READY, AND IT--IT WAS WONDERFUL. 968 00:50:12,110 --> 00:50:14,412 AND THEN SOMEHOW, I DON'T KNOW, SHE FREAKED. 969 00:50:14,412 --> 00:50:15,513 I MEAN, YOU MET HER, JONES. 970 00:50:15,513 --> 00:50:16,947 SHE'S NOT THE MOST STABLE PERSON. 971 00:50:16,947 --> 00:50:18,449 YOU RAPED HER. 972 00:50:18,449 --> 00:50:20,985 I SWEAR TO YOU, NO MATTER WHAT SHE SAYS, 973 00:50:20,985 --> 00:50:22,287 JONES, IT WAS NOT RAPE. 974 00:50:22,287 --> 00:50:24,255 GENERALLY, WOMEN ARE PERFECTLY HAPPY 975 00:50:24,255 --> 00:50:26,091 TO SLEEP WITH ME. 976 00:50:26,091 --> 00:50:28,093 OR ARE YOU HAVING SECOND THOUGHTS, TOO? 977 00:50:28,093 --> 00:50:31,429 THAT'S NOT AN ANSWER, DERRICK. 978 00:50:34,732 --> 00:50:37,001 WAIT. 979 00:50:37,001 --> 00:50:39,437 I'M SURE HE HAS AN EXPLANATION. 980 00:50:39,437 --> 00:50:41,672 RIGHT? 981 00:50:41,672 --> 00:50:43,441 THANKS, TRAVIS. 982 00:50:43,441 --> 00:50:46,177 AT LEAST ONE PERSON HAS AN OPEN MIND. 983 00:50:50,481 --> 00:50:53,884 NAOMI IS YOUR CLASSIC POOR LITTLE RICH GIRL. 984 00:50:53,884 --> 00:50:56,053 OK? SHE'S DESPERATE TO GROW UP 985 00:50:56,053 --> 00:50:57,722 AND ACTUALLY BECOME A WOMAN. 986 00:50:57,722 --> 00:50:58,956 BUT THEN SHE'S AFRAID 987 00:50:58,956 --> 00:51:01,459 THAT DADDY'S GONNA FIND OUT ABOUT IT. 988 00:51:01,459 --> 00:51:04,362 AND I CAN DEAL WITH THAT. 989 00:51:04,362 --> 00:51:07,465 BUT THEN SHE DECIDED TO RUIN MY LIFE. 990 00:51:10,168 --> 00:51:12,170 EVERYONE IN MY HOMETOWN 991 00:51:12,170 --> 00:51:14,505 THINKS I'M A RAPIST. 992 00:51:15,673 --> 00:51:17,108 AND I'M-- 993 00:51:19,177 --> 00:51:22,880 MY FAMILY WON'T EVEN SPEAK TO ME. 994 00:51:22,880 --> 00:51:25,250 "HERE'S THE TRUST FUND, DERRICK. 995 00:51:25,250 --> 00:51:27,652 STAY OUT OF OUR LIVES." 996 00:51:27,652 --> 00:51:29,620 WHY THAT RUMOR? 997 00:51:29,620 --> 00:51:32,890 LISTEN, I ADMIT SPREADING THAT PARTICULAR RUMOR 998 00:51:32,890 --> 00:51:34,225 WASN'T THE NICEST THING TO DO. 999 00:51:34,225 --> 00:51:35,860 I HAVE SOME ANGER, OK? 1000 00:51:35,860 --> 00:51:37,795 I WANTED TO HURT HER. 1001 00:51:37,795 --> 00:51:40,231 YOU SAY THAT LIKE IT'S OK TO WANT TO HURT PEOPLE. 1002 00:51:40,231 --> 00:51:42,367 JONES, YOU DIDN'T EXACTLY SPREAD THAT RUMOR 1003 00:51:42,367 --> 00:51:44,669 OUT OF THE GOODNESS OF YOUR HEART, OK? 1004 00:51:44,669 --> 00:51:45,603 I MEAN, AS I RECALL, 1005 00:51:45,603 --> 00:51:46,971 YOU THOUGHT THE IDEA OF HURTING NAOMI 1006 00:51:46,971 --> 00:51:48,105 WAS KIND OF ENTERTAINING. 1007 00:51:48,105 --> 00:51:50,241 COME ON, MAN, THIS IS WHAT YOU DID. 1008 00:51:50,241 --> 00:51:52,577 TRAVIS, YOU DID IT, TOO. 1009 00:51:59,750 --> 00:52:03,020 [SIGHS] LOOK... 1010 00:52:03,020 --> 00:52:04,722 NONE OF US INTENDED FOR THIS 1011 00:52:04,722 --> 00:52:06,123 TO GO AS FAR AS IT DID. 1012 00:52:06,123 --> 00:52:09,126 BUT THAT IS SIMPLY NOT OUR FAULT. 1013 00:52:09,126 --> 00:52:11,529 NOW, WAS THE WHOLE THING A MISTAKE? 1014 00:52:11,529 --> 00:52:13,398 MAYBE. 1015 00:52:13,398 --> 00:52:16,000 YOU KNOW WHAT? WE'RE IN COLLEGE. 1016 00:52:16,000 --> 00:52:17,368 WE'RE YOUNG. 1017 00:52:17,368 --> 00:52:19,704 THESE ARE THE TIMES YOU SHOULD BE MAKING MISTAKES. 1018 00:52:19,704 --> 00:52:22,006 THIS IS THE PROBLEM WITH YOUR POSITION 1019 00:52:22,006 --> 00:52:23,374 ABOUT BEING NICE, JONES. 1020 00:52:23,374 --> 00:52:25,743 NICE PEOPLE DON'T LIVE LIFE. 1021 00:52:25,743 --> 00:52:27,578 I DON'T WANT TO GO THROUGH ALL MY DAYS 1022 00:52:27,578 --> 00:52:29,113 BEING ALL SWEET AND POLITE 1023 00:52:29,113 --> 00:52:30,981 AND THEN REALIZE WHEN I'M 80, 1024 00:52:30,981 --> 00:52:33,351 I'M JUST SOME NICE, DEAD PERSON. 1025 00:52:41,091 --> 00:52:43,628 TRAVIS, COME ON. 1026 00:52:51,168 --> 00:52:53,238 [WHISPERING] I don't know. 1027 00:53:06,016 --> 00:53:07,685 A COUPLE OF US, 1028 00:53:07,685 --> 00:53:10,187 I MEAN, I--I SPREAD A RUMOR 1029 00:53:10,187 --> 00:53:11,856 ABOUT BEAU AND NAOMI. 1030 00:53:11,856 --> 00:53:14,925 I--I SAID THEY HAD SEX DURING A PARTY AND, UH, 1031 00:53:14,925 --> 00:53:17,562 SHE--SHE KNEW SHE HADN'T, 1032 00:53:17,562 --> 00:53:21,966 SO, SHE THOUGHT WHAT ANYONE MIGHT THINK. 1033 00:53:21,966 --> 00:53:24,269 UH, IT DIDN'T REALLY HAPPEN. 1034 00:53:25,436 --> 00:53:27,472 I JUST SAID IT DID. 1035 00:53:27,472 --> 00:53:29,139 THAT'S NOT MUCH OF A STORY, CATHY. 1036 00:53:29,139 --> 00:53:31,242 IF YOU WANT TO HELP BEAU, YOU'RE GONNA HAVE TO DO BETTER 1037 00:53:31,242 --> 00:53:32,610 THAN "I MADE IT ALL UP." 1038 00:53:32,610 --> 00:53:34,312 I--I'M NOT DOING THIS FOR BEAU. 1039 00:53:34,312 --> 00:53:36,146 I DON'T EVEN KNOW HIM. HE'S JUST A SIDE EFFECT. 1040 00:53:36,146 --> 00:53:37,315 THAT'S NOT WHAT I HEARD. 1041 00:53:37,315 --> 00:53:39,049 I HEARD THAT YOU HAD A CRUSH ON HIM. 1042 00:53:39,049 --> 00:53:41,419 NO, I DON'T. 1043 00:53:41,419 --> 00:53:43,988 HAVE YOU EVER HEARD OF OBSTRUCTION OF JUSTICE, CATHY? 1044 00:53:43,988 --> 00:53:46,691 IMPEDING AN INVESTIGATION? 1045 00:53:46,691 --> 00:53:47,792 THAT'S NOT-- 1046 00:53:47,792 --> 00:53:48,726 LISTEN TO ME. 1047 00:53:48,726 --> 00:53:50,561 BECAUSE I'M NOT A COMPLETE ASSHOLE, 1048 00:53:50,561 --> 00:53:52,897 I'M GOING TO FORGET THAT WE HAD THIS CONVERSATION. 1049 00:53:52,897 --> 00:53:55,199 BUT IF YOU START SPREADING THIS AROUND, 1050 00:53:55,199 --> 00:53:57,568 I WILL NOT LOOK KINDLY ON IT. 1051 00:54:02,640 --> 00:54:04,909 DIDN'T GO SO GOOD, HUH? 1052 00:54:06,143 --> 00:54:08,279 SEE, THAT'S THE THING, JONES. 1053 00:54:08,279 --> 00:54:11,015 I LIE MUCH BETTER THAN YOU TELL THE TRUTH. 1054 00:54:25,663 --> 00:54:27,398 TRAVIS, WE HAVE TO TALK. 1055 00:54:27,398 --> 00:54:28,699 OH, JONES, I WAS JUST, UH-- 1056 00:54:28,699 --> 00:54:30,468 WE HAVE TO TELL SOMEBODY. 1057 00:54:30,468 --> 00:54:33,170 YOU AND ME. I CAN'T DO THIS ALONE. 1058 00:54:33,170 --> 00:54:35,072 MAYBE IT'LL JUST BLOW OVER. 1059 00:54:35,072 --> 00:54:37,274 IT'S NOT GONNA BLOW OVER. 1060 00:54:37,274 --> 00:54:39,076 IF WE DON'T DO THE RIGHT THING-- 1061 00:54:39,076 --> 00:54:40,277 WHAT'S THE MATTER WITH YOU, HUH? 1062 00:54:40,277 --> 00:54:42,179 YOU WANT TO TURN ON DERRICK? 1063 00:54:42,179 --> 00:54:44,682 AFTER EVERYTHING HE'S DONE FOR YOU? 1064 00:54:44,682 --> 00:54:47,585 YOU ARE NOTHING WITHOUT HIM, YOU KNOW THAT? 1065 00:54:48,919 --> 00:54:50,455 YOU'RE PATHETIC. 1066 00:54:58,663 --> 00:55:02,333 NAOMI, IT'S CATHY. CATHY JONES. 1067 00:55:03,133 --> 00:55:05,970 NO, PLEASE, DON'T HANG UP. 1068 00:55:05,970 --> 00:55:07,104 NAOMI-- 1069 00:55:07,104 --> 00:55:08,473 [DIAL TONE] 1070 00:55:23,320 --> 00:55:25,656 GO AWAY. 1071 00:55:33,998 --> 00:55:36,333 LISTEN, JONES, 1072 00:55:36,333 --> 00:55:39,203 YOU MAY NOT BELIEVE THIS... 1073 00:55:39,203 --> 00:55:42,407 BUT I'M SORRY YOU'RE HURTING. 1074 00:55:43,908 --> 00:55:45,810 I'M A CYNICAL GUY, 1075 00:55:45,810 --> 00:55:47,812 AND IT'S OBVIOUSLY NO BIG SURPRISE TO ME 1076 00:55:47,812 --> 00:55:50,848 THAT NOBODY CARES ABOUT THE TRUTH. 1077 00:55:50,848 --> 00:55:53,350 BUT I KNOW IT'S HARD ON YOU. 1078 00:55:54,619 --> 00:55:59,089 AND I'M NOT PROUD TO BE THE ONE WHO TAUGHT YOU THAT. 1079 00:55:59,089 --> 00:56:01,992 PLEASE DON'T TALK TO ME. 1080 00:56:12,770 --> 00:56:14,238 [WHISPERING] Jones, I mean it. 1081 00:56:14,238 --> 00:56:16,040 [SIGHS] 1082 00:56:26,283 --> 00:56:29,119 [CHUCKLES] 1083 00:56:33,424 --> 00:56:36,427 YOU'RE WIPING MY EYES WITH A COCKTAIL NAPKIN. 1084 00:56:37,528 --> 00:56:39,797 OK, NOW HOW APPROPRIATE IS THAT? 1085 00:56:39,797 --> 00:56:41,532 [LAUGHTER] 1086 00:56:42,900 --> 00:56:44,869 YOU KNOW... 1087 00:56:46,136 --> 00:56:48,673 WHAT DO I CARE ABOUT NAOMI PRESTON, RIGHT? 1088 00:56:48,673 --> 00:56:52,109 I MEAN, I'M NOT RUINING MY LIFE FOR HER. 1089 00:56:52,109 --> 00:56:53,911 THAT'S MY GIRL. 1090 00:56:55,112 --> 00:56:58,182 YOU KNOW WHAT'S FUNNY IS SHE'S NEVER GONNA EVEN KNOW. 1091 00:56:58,182 --> 00:57:02,119 ALL THIS HAPPENED AND SHE'S NEVER GONNA EVEN KNOW. 1092 00:57:17,735 --> 00:57:21,171 BEAU. HOW WAS JAIL? 1093 00:57:37,387 --> 00:57:39,456 I HEARD WHAT YOU DID, ASSHOLE. 1094 00:57:39,456 --> 00:57:40,991 WHAT ARE YOU TALKING ABOUT? 1095 00:57:42,627 --> 00:57:43,928 YOU RAPED NAOMI. 1096 00:57:43,928 --> 00:57:45,395 WAIT. WHAT IF IT'S NOT TRUE? 1097 00:57:45,395 --> 00:57:47,364 WHAT DO YOU EM-- YOU HEARD I RAPED HER? 1098 00:57:47,364 --> 00:57:48,365 YEAH. 1099 00:57:48,365 --> 00:57:50,200 WAIT! WAIT. 1100 00:57:51,335 --> 00:57:52,937 IS IT TRUE YOU RAPED HER? 1101 00:57:54,371 --> 00:57:56,641 THE GIRL HAS A VERACITY PROBLEM. 1102 00:57:56,641 --> 00:57:58,576 [PANTS] ANY GUY WHO LOOKS AT HER 1103 00:57:58,576 --> 00:58:00,711 IS A RAPIST. 1104 00:58:00,711 --> 00:58:02,847 THIS COULD HELP YOU, BEAU. 1105 00:58:02,847 --> 00:58:05,115 [PANTING] 1106 00:58:05,115 --> 00:58:06,050 YOU AND ME. 1107 00:58:06,050 --> 00:58:07,317 SHE DID THE SAME THING TO BOTH OF US. 1108 00:58:07,317 --> 00:58:09,053 [PANTING] 1109 00:58:10,287 --> 00:58:11,922 CAN YOU GIVE ME A HAND? 1110 00:58:12,857 --> 00:58:15,492 CAN I--CAN I TELL YOU MY SIDE? 1111 00:58:22,700 --> 00:58:24,101 [FLOWER POT BREAKS] 1112 00:58:28,172 --> 00:58:29,807 MY SIDE'S REALLY GOOD. 1113 00:58:32,209 --> 00:58:33,844 [GROANS] 1114 00:58:33,844 --> 00:58:35,646 YOU WANT TO KNOW WHAT REALLY HAPPENED? 1115 00:58:35,646 --> 00:58:37,147 I SAW YOU. 1116 00:58:37,147 --> 00:58:39,083 I KNEW WHAT WAS GOING THROUGH YOUR HEAD. 1117 00:58:40,618 --> 00:58:43,588 SHE WAS SAYING NO AND YOU WERE GETTING OFF ON IT. 1118 00:59:09,313 --> 00:59:10,781 [KNOCKS] 1119 00:59:20,157 --> 00:59:21,558 OH! OH. 1120 00:59:21,558 --> 00:59:22,593 YOU GO AWAY. 1121 00:59:22,593 --> 00:59:25,129 I JUST WANTED-- GO AWAY. 1122 00:59:25,129 --> 00:59:27,164 NAOMI, CALM DOWN. 1123 00:59:27,164 --> 00:59:28,298 I'M HERE TO HELP, OK? 1124 00:59:28,298 --> 00:59:29,734 I'M CALLING SECURITY. 1125 00:59:30,701 --> 00:59:31,836 ALL RIGHT, TOTALLY UP TO YOU. 1126 00:59:31,836 --> 00:59:33,137 BUT IF YOU DO, YOU'LL NEVER KNOW 1127 00:59:33,137 --> 00:59:34,772 WHAT HAPPENED THAT NIGHT BETWEEN YOU AND BEAU. 1128 00:59:34,772 --> 00:59:37,241 WHAT DO YOU KNOW ABOUT THAT? 1129 00:59:39,176 --> 00:59:41,211 MY GOD. 1130 00:59:41,211 --> 00:59:44,081 YOU ARE STILL THE MOST BEAUTIFUL GIRL I'VE EVER SEEN. 1131 00:59:44,081 --> 00:59:46,216 OH, I SWEAR TO GOD, DERRICK, 1132 00:59:46,216 --> 00:59:47,818 IF YOU DON'T TELL ME WHAT YOU'RE HERE FOR 1133 00:59:47,818 --> 00:59:50,721 AND GO, I'M GONNA COMPLETELY LOSE IT. 1134 00:59:50,721 --> 00:59:52,422 ALL RIGHT, ALL RIGHT, OK. 1135 00:59:52,422 --> 00:59:53,891 DON'T BE SO EMOTIONAL. 1136 00:59:58,595 --> 01:00:00,330 PILLS, HUH? 1137 01:00:01,666 --> 01:00:03,100 WHAT ABOUT BEAU? 1138 01:00:03,100 --> 01:00:05,636 BEAU. 1139 01:00:05,636 --> 01:00:08,038 YOU LIKED HIM, HUH? 1140 01:00:08,038 --> 01:00:10,708 GOD, IT WAS LIKE DéJA VU WATCHING YOU TWO. 1141 01:00:10,708 --> 01:00:12,576 I MEAN, 'CAUSE YOU LIKED ME, TOO. 1142 01:00:12,576 --> 01:00:14,011 YOU LOVED ME, AS I RECALL. 1143 01:00:14,011 --> 01:00:15,846 WHAT DO YOU MEAN YOU WATCHED? 1144 01:00:15,846 --> 01:00:19,383 OH, I WATCHED. I WAS IN THE BATHROOM. 1145 01:00:19,383 --> 01:00:21,786 WHY ARE YOU HERE? 1146 01:00:23,187 --> 01:00:25,856 WHY ARE YOU HERE? 1147 01:00:25,856 --> 01:00:27,692 WHY DID YOU COME TO MY SCHOOL 1148 01:00:27,692 --> 01:00:29,593 IF YOU DIDN'T WANT TO SEE ME? 1149 01:00:29,593 --> 01:00:31,929 BECAUSE I DIDN'T KNOW, THAT'S WHY. 1150 01:00:31,929 --> 01:00:35,800 I WISH YOU WERE DEAD. 1151 01:00:38,969 --> 01:00:41,906 WELL, THAT'S-- THAT'S NICE. 1152 01:00:43,741 --> 01:00:45,810 WOW, LOOK AT THIS. 1153 01:00:47,945 --> 01:00:49,680 THE WIZARD OF OZ. 1154 01:00:50,480 --> 01:00:51,782 YOU REMEMBER THAT NIGHT? 1155 01:00:51,782 --> 01:00:53,818 OH, I DO. 1156 01:00:53,818 --> 01:00:56,653 OK, GET OUT OF HERE. 1157 01:00:56,653 --> 01:00:58,756 I'M FINE NOW, DERRICK! 1158 01:00:58,756 --> 01:01:00,090 WELL, I'M NOT FINE! 1159 01:01:00,090 --> 01:01:01,291 WHAT HAPPENED WASN'T MY FAULT. 1160 01:01:01,291 --> 01:01:02,426 I WASN'T READY. 1161 01:01:02,426 --> 01:01:04,094 "I LOVE YOU, DERRICK. OH, I LOVE YOU, DERRICK." 1162 01:01:04,094 --> 01:01:05,395 AND THEN YOU RUIN MY LIFE. 1163 01:01:05,395 --> 01:01:07,631 AND EVERY GIRL IN DANBURY THINKS I'M A RAPIST. 1164 01:01:07,631 --> 01:01:08,733 JUST STOP IT! 1165 01:01:08,733 --> 01:01:11,902 JUST TELL ME WHAT YOU WANT AND GO! 1166 01:01:16,406 --> 01:01:18,508 WE'RE EVEN. 1167 01:01:18,508 --> 01:01:19,977 WHAT? 1168 01:01:21,011 --> 01:01:22,546 YOU RUINED MY LIFE BACK THEN. 1169 01:01:22,546 --> 01:01:26,050 I'VE RUINED YOURS NOW. WE'RE EVEN. 1170 01:01:26,050 --> 01:01:28,252 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 1171 01:01:28,252 --> 01:01:30,921 BEAU NEVER RAPED YOU. 1172 01:01:30,921 --> 01:01:33,523 I PLANTED A RUMOR. 1173 01:01:33,523 --> 01:01:35,625 AND I MADE YOU BELIEVE IT. 1174 01:01:35,625 --> 01:01:37,094 HE NEVER TOUCHED YOU. 1175 01:01:39,696 --> 01:01:41,598 THAT'S INSANE. 1176 01:01:41,598 --> 01:01:44,935 YEAH. IT IS INSANE. 1177 01:01:44,935 --> 01:01:47,805 BUT THE THING IS, NAOMI, I STILL KNOW YOU SO WELL. 1178 01:01:47,805 --> 01:01:49,740 AND I KNEW YOU'D FALL FOR IT. 1179 01:01:49,740 --> 01:01:51,041 YOU'D HEAR THAT STORY 1180 01:01:51,041 --> 01:01:52,509 AND YOUR LITTLE FEVERED IMAGINATION 1181 01:01:52,509 --> 01:01:55,079 WOULD START RUNNING AND YOU'D BE SITTING THERE IN HORROR 1182 01:01:55,079 --> 01:01:56,713 GOING, "OH, MY GOD, I JUST GOT RAPED AGAIN 1183 01:01:56,713 --> 01:01:58,382 "BY MY BOYFRIEND, SOMEBODY I LOVE, 1184 01:01:58,382 --> 01:02:00,317 SOMEBODY I TRUSTED." 1185 01:02:02,887 --> 01:02:05,155 AND YOU DIDN'T KNOW THAT BOTH TIMES IT WAS ME. 1186 01:02:07,291 --> 01:02:09,259 WHOA. HERE YOU GO. 1187 01:02:19,436 --> 01:02:20,771 JUST LIKE OLD TIMES, HUH? 1188 01:02:20,771 --> 01:02:22,372 [GRUNTS] OW! 1189 01:02:29,980 --> 01:02:32,716 MIND IF I KEEP THIS? 1190 01:02:32,716 --> 01:02:34,351 I HAVE SUCH FOND MEMORIES. 1191 01:02:35,585 --> 01:02:37,354 FUCKING ASSHOLE! 1192 01:03:25,903 --> 01:03:27,504 WHAT HAPPENED TO YOU? 1193 01:03:27,504 --> 01:03:28,672 WHAT? 1194 01:03:28,672 --> 01:03:30,707 OH... 1195 01:03:30,707 --> 01:03:32,943 I, UH, HAD A LITTLE SHOWDOWN 1196 01:03:32,943 --> 01:03:36,180 WITH THE LOVELY NAOMI PRESTON LAST NIGHT. 1197 01:03:39,083 --> 01:03:40,717 THINGS GOT A LITTLE HEATED. 1198 01:03:40,717 --> 01:03:42,319 YOU TOLD HER? 1199 01:03:44,721 --> 01:03:45,789 YEAH. 1200 01:03:45,789 --> 01:03:47,958 AND WHAT DID SHE SAY? 1201 01:03:49,259 --> 01:03:51,061 MMM. 1202 01:03:51,061 --> 01:03:53,130 SHE WAS--SHE WAS COOL WITH IT. 1203 01:04:00,437 --> 01:04:02,239 [CHUCKLES] TRAVIS. 1204 01:04:02,239 --> 01:04:04,108 I THINK I GOT SOMETHING FOR YOUR WALL, BUD. 1205 01:04:04,108 --> 01:04:05,375 YOU'RE GONNA LOVE THIS. 1206 01:04:09,346 --> 01:04:12,449 DID--DID YOU GUYS HEAR WHAT HAPPENED? 1207 01:04:12,449 --> 01:04:14,251 NO, WE JUST GOT UP. 1208 01:04:14,251 --> 01:04:17,187 NAOMI PRESTON'S DEAD. 1209 01:04:19,489 --> 01:04:20,991 WHAT? 1210 01:04:20,991 --> 01:04:25,829 THEY, UH, THEY FOUND HER BODY THIS MORNING. 1211 01:04:25,829 --> 01:04:28,298 SHE KILLED HERSELF. 1212 01:04:28,298 --> 01:04:29,099 OH, MY GOD. 1213 01:04:29,099 --> 01:04:31,268 WAIT, SHUT UP, JONES. 1214 01:04:31,268 --> 01:04:33,137 ARE YOU SURE ABOUT THIS? 1215 01:04:33,971 --> 01:04:35,906 IT'S ALL OVER CAMPUS. 1216 01:04:38,242 --> 01:04:39,243 SHIT. 1217 01:04:41,011 --> 01:04:45,182 THEY, UH, THEY THINK MAYBE SHE, UH, 1218 01:04:45,182 --> 01:04:47,084 IT WAS AN ACCIDENT 'CAUSE SHE WAS DRINKING A LOT 1219 01:04:47,084 --> 01:04:49,053 AND TAKING PILLS AND STUFF. 1220 01:04:50,887 --> 01:04:52,722 THIS IS OUR FAULT. 1221 01:04:52,722 --> 01:04:54,258 OH, PLEASE, JONES. 1222 01:04:54,258 --> 01:04:56,460 I MEAN, YOU CAN'T DRIVE A PERSON 1223 01:04:56,460 --> 01:04:57,861 TO KILL THEMSELVES. 1224 01:04:57,861 --> 01:05:00,597 NAOMI'S WEAK. SHE'S ALWAYS BEEN WEAK. 1225 01:05:43,607 --> 01:05:46,343 [BANGING] 1226 01:05:50,214 --> 01:05:52,482 [BANGING ON DOOR] 1227 01:05:56,086 --> 01:05:58,655 [BANGING] 1228 01:06:05,662 --> 01:06:07,664 [BANGING] 1229 01:06:13,270 --> 01:06:14,604 YEAH? 1230 01:06:14,604 --> 01:06:16,673 I'VE BEEN BANGING HERE FOR 5 MINUTES. 1231 01:06:16,673 --> 01:06:18,942 WELL, I WAS IN THE BATHROOM. WHO ARE YOU? 1232 01:06:18,942 --> 01:06:21,211 I'M DETECTIVE CURTIS. 1233 01:06:27,217 --> 01:06:28,818 YOU DERRICK WEBB? 1234 01:06:28,818 --> 01:06:30,920 YEAH. YEAH, THAT'S ME. 1235 01:06:30,920 --> 01:06:32,156 WHAT CAN I DO FOR YOU? 1236 01:06:32,156 --> 01:06:33,157 CAN I COME IN? 1237 01:06:33,157 --> 01:06:34,658 YEAH, ABSOLUTELY. 1238 01:06:36,193 --> 01:06:38,028 I'D TAKE THE KEYS OUT OF THE DOOR 1239 01:06:38,028 --> 01:06:39,096 IF I WAS YOU. 1240 01:06:39,096 --> 01:06:41,365 OH, SHI--SHIT. 1241 01:06:43,567 --> 01:06:44,834 ROOMMATES. 1242 01:06:44,834 --> 01:06:46,303 I'M HERE INVESTIGATING THE DEATH 1243 01:06:46,303 --> 01:06:48,705 OF A YOUNG STUDENT-- 1244 01:06:48,705 --> 01:06:50,307 NO-AMI PRESTON. 1245 01:06:50,307 --> 01:06:51,975 NAOMI PRESTON, YEAH. 1246 01:06:51,975 --> 01:06:53,377 YEAH, I HEARD ABOUT THAT. 1247 01:06:53,377 --> 01:06:55,645 CAN I MAKE YOU SOME COFFEE? 1248 01:06:55,645 --> 01:06:58,082 YEAH. I'D LIKE THAT. 1249 01:06:59,049 --> 01:07:01,051 SO YOU DIDN'T SAY-- DID YOU KNOW HER? 1250 01:07:01,051 --> 01:07:03,787 UH, WELL, WE WENT TO HIGH SCHOOL TOGETHER. 1251 01:07:06,190 --> 01:07:07,824 DID YOU SEE HER LAST NIGHT? 1252 01:07:07,824 --> 01:07:10,394 NO, NO. 1253 01:07:15,532 --> 01:07:18,102 LISTEN, I TALKED TO A BEAU EDSON. 1254 01:07:18,102 --> 01:07:20,604 HE SAYS HE SAW YOU GO INTO HER DORM LAST NIGHT. 1255 01:07:20,604 --> 01:07:22,106 OH, HE SAID THAT? 1256 01:07:22,106 --> 01:07:24,007 WELL, BEAU EDSON'S AN ASSHOLE. 1257 01:07:24,007 --> 01:07:25,242 AS I'M SURE YOU KNOW, 1258 01:07:25,242 --> 01:07:27,877 HE'S UNDER INVESTIGATION FOR RAPING NAOMI. 1259 01:07:27,877 --> 01:07:29,179 YES, I KNOW THAT. 1260 01:07:29,179 --> 01:07:31,615 I MEAN, IF ANYONE PUSHED HER TO COMMIT SUICIDE, 1261 01:07:31,615 --> 01:07:32,816 IT WAS HIM. 1262 01:07:35,585 --> 01:07:38,588 THIS IS A HOMICIDE INVESTIGATION. 1263 01:07:39,923 --> 01:07:41,191 HOMICIDE? 1264 01:07:42,192 --> 01:07:43,393 OH, I'M SORRY, I-- 1265 01:07:43,393 --> 01:07:45,229 WELL, I HEARD SHE KILLED HERSELF. 1266 01:07:45,229 --> 01:07:48,298 WE'RE NOT 100% SURE WHAT HAPPENED. 1267 01:07:48,298 --> 01:07:52,236 WE HAVE A DEAD BODY, AND THERE WAS A STRUGGLE. 1268 01:07:54,438 --> 01:07:56,740 HOW'D YOU GET THE SCRATCH ON YOUR FACE? 1269 01:08:00,110 --> 01:08:01,711 UH, I WAS IN A FIGHT. 1270 01:08:01,711 --> 01:08:03,380 WITH BEAU? 1271 01:08:04,214 --> 01:08:05,982 HE LOOKS WORSE THAN YOU DO. 1272 01:08:05,982 --> 01:08:07,784 WELL, I WAS DEFENDING MYSELF. 1273 01:08:07,784 --> 01:08:09,319 I MEAN, HE JUMPED ME. 1274 01:08:09,319 --> 01:08:12,322 IS THAT HOW YOU GOT THE BITE ON YOUR HAND? 1275 01:08:13,257 --> 01:08:14,691 UH, YEAH, IT IS. 1276 01:08:14,691 --> 01:08:16,693 [KETTLE WHISTLING] 1277 01:08:20,164 --> 01:08:23,700 SO YOU'RE SAYING BEAU MAY HAVE DONE THIS? 1278 01:08:23,700 --> 01:08:25,869 NO, I DIDN'T SAY THAT. 1279 01:08:30,174 --> 01:08:31,675 I'LL GET BACK TO YOU. 1280 01:09:21,558 --> 01:09:23,760 [LAUGHTER] 1281 01:09:42,111 --> 01:09:45,282 Travis: I DON'T BELIEVE THEY REALLY THINK HE DID ANYTHING. 1282 01:09:45,282 --> 01:09:47,016 Jones: THEN WHY ARE THEY ASKING QUESTIONS 1283 01:09:47,016 --> 01:09:48,318 ABOUT WHERE HE WAS? 1284 01:09:48,318 --> 01:09:49,686 LOOK, ALL I'M SAYING IS IF HE NEEDS OUR HELP, 1285 01:09:49,686 --> 01:09:51,154 WE SHOULD GIVE IT TO HIM. THAT'S IT. 1286 01:09:51,154 --> 01:09:54,358 TRAVIS, WE COULD BE NAMED ACCESSORIES. 1287 01:09:56,293 --> 01:09:57,894 WHAT'S GOIN' ON? 1288 01:10:00,397 --> 01:10:01,565 THEY TALKED TO ME, DERRICK. 1289 01:10:01,565 --> 01:10:03,099 THAT DETECTIVE FOUND ME IN THE LIBRARY 1290 01:10:03,099 --> 01:10:05,302 AND ASKED WHERE YOU WERE THE NIGHT OF NAOMI'S MURDER. 1291 01:10:05,302 --> 01:10:06,803 THEY DON'T KNOW FOR SURE IT WAS EVEN A MURDER. 1292 01:10:06,803 --> 01:10:09,205 IT'S WHAT THEY THINK. 1293 01:10:09,205 --> 01:10:10,740 SO, WHAT'D YOU TELL THEM? 1294 01:10:10,740 --> 01:10:13,042 I--I TOLD HIM YOU WERE OVER THERE, 1295 01:10:13,042 --> 01:10:14,210 AND YOU TOLD ME. 1296 01:10:14,210 --> 01:10:15,279 WHAT? ARE YOU-- 1297 01:10:15,279 --> 01:10:16,813 ARE YOU A COMPLETE IDIOT, JONES? 1298 01:10:16,813 --> 01:10:19,015 HOW WAS I SUPPOSED TO KNOW YOU LIED TO THIS GUY? 1299 01:10:19,015 --> 01:10:20,817 HE--HE'S GOING, DERRICK SAID HE WASN'T THERE, AND I-- 1300 01:10:20,817 --> 01:10:22,819 OH, GOD DAMN IT, JONES. YOU SHOULD HAVE TOLD HIM-- 1301 01:10:22,819 --> 01:10:24,120 WHAT?! 1302 01:10:24,120 --> 01:10:25,389 I SHOULD HAVE LIED FOR YOU? 1303 01:10:25,389 --> 01:10:26,823 WHICH LIE WAS I SUPPOSED TO TELL? 1304 01:10:26,823 --> 01:10:27,724 YOU TOLD SO MANY. 1305 01:10:27,724 --> 01:10:29,359 IF YOU'D HAVE BOTHERED TO AT LEAST 1306 01:10:29,359 --> 01:10:30,394 TELL THE TRUTH, THEN MAYBE I-- 1307 01:10:30,394 --> 01:10:31,995 TELL THE TRUTH. OK, ALL RIGHT. 1308 01:10:31,995 --> 01:10:34,097 THANK YOU ONCE AGAIN FOR TAKING THE POSITION 1309 01:10:34,097 --> 01:10:35,365 OF RIGHTEOUS INDIGNATION, JONES. 1310 01:10:35,365 --> 01:10:36,900 WHY DIDN'T YOU JUST TELL THEM YOU WERE THERE? 1311 01:10:36,900 --> 01:10:39,536 YOUR FINGERPRINTS HAVE TO BE ALL OVER THE ROOM. 1312 01:10:39,536 --> 01:10:41,571 ALL RIGHT, WELL, WHILE WE'RE MAKING USEFUL OBSERVATIONS, 1313 01:10:41,571 --> 01:10:43,407 LET'S NOT FORGET WHO STARTED THIS LITTLE RUMOR. 1314 01:10:43,407 --> 01:10:45,542 YOU'RE THE ONE WHO SENT NAOMI INTO A TAILSPIN. 1315 01:10:45,542 --> 01:10:47,377 NOW, DETECTIVE CURTIS MIGHT LIKE TO KNOW THAT. 1316 01:10:47,377 --> 01:10:50,246 YOU'RE SUCH AN ASSHOLE. 1317 01:10:50,246 --> 01:10:52,716 I DIDN'T KILL HER, JONES. 1318 01:10:52,716 --> 01:10:55,552 WELL, THEN IT WON'T MATTER THAT I DIDN'T LIE FOR YOU. 1319 01:10:58,054 --> 01:10:59,556 FUCK! 1320 01:11:01,057 --> 01:11:03,527 TRAVIS, WHAT DID YOU TELL HIM? 1321 01:11:03,527 --> 01:11:05,562 I DIDN'T TELL HIM ANYTHING. 1322 01:11:05,562 --> 01:11:06,730 THEY, UH, THEY CALLED, 1323 01:11:06,730 --> 01:11:08,131 AND I'M SUPPOSED TO GO DOWN THERE. 1324 01:11:08,131 --> 01:11:09,399 OK. OK. 1325 01:11:09,399 --> 01:11:10,400 [CLEARS THROAT] 1326 01:11:10,400 --> 01:11:12,135 [SNAPPING FINGERS] 1327 01:11:12,135 --> 01:11:13,470 ALL RIGHT, UH... 1328 01:11:13,470 --> 01:11:16,139 YOU TELL HIM YOU WENT TO SEE HER AFTER I DID, 1329 01:11:16,139 --> 01:11:18,875 AND SHE GAVE YOU THIS. 1330 01:11:18,875 --> 01:11:21,311 WHY WOULD SHE DO THAT? 1331 01:11:21,311 --> 01:11:23,413 JUST TELL HER THAT YOU, UH, THAT YOU WERE-- 1332 01:11:23,413 --> 01:11:25,449 YOU TOLD HER ABOUT YOUR ART AND, UM, 1333 01:11:25,449 --> 01:11:26,516 SHE WANTED TO HELP OUT. 1334 01:11:26,516 --> 01:11:28,251 SO SHE GAVE YOU THIS PICTURE... 1335 01:11:28,251 --> 01:11:30,354 AND YOU AND I MET FOR A DRINK AFTERWARDS. 1336 01:11:30,354 --> 01:11:31,621 WHAT IF THEY THINK I DID IT? 1337 01:11:31,621 --> 01:11:34,824 THEY'RE GONNA--HA. ARE YOU SERIOUS? 1338 01:11:34,824 --> 01:11:37,561 TRAVIS, THERE'S NO-- NO, THERE'S NO WAY. 1339 01:11:37,561 --> 01:11:39,763 I MEAN, YOU HAVE ABSOLUTELY NO MOTIVE. 1340 01:11:39,763 --> 01:11:41,531 TRAVIS, NAOMI KILLED HERSELF. 1341 01:11:41,531 --> 01:11:44,401 IT'S A SUICIDE. OK? NOW, WE BOTH KNOW 1342 01:11:44,401 --> 01:11:45,935 THIS IS AN INSANE MISUNDERSTANDING. 1343 01:11:45,935 --> 01:11:46,936 WE JUST-- 1344 01:11:46,936 --> 01:11:47,737 IT'S TOO WEIRD, MAN. 1345 01:11:47,737 --> 01:11:49,339 HEY, TRAVIS, LISTEN TO ME. 1346 01:11:49,339 --> 01:11:51,107 LISTEN. [SIGH] 1347 01:11:51,107 --> 01:11:53,076 NOW, DO YOU TRUST ME? 1348 01:11:54,678 --> 01:11:56,913 I DO A LOT FOR YOU. DON'T I? 1349 01:11:56,913 --> 01:11:58,582 YEAH. 1350 01:11:58,582 --> 01:12:00,417 OK, NOW, THE COPS ARE-- 1351 01:12:00,417 --> 01:12:03,953 ARE MAKING SOME SERIOUS WRONG ACCUSATIONS HERE. 1352 01:12:03,953 --> 01:12:05,021 NOW, I-- YOU KNOW? 1353 01:12:05,021 --> 01:12:08,191 I MEAN, NOW, I JUST-- I NEED YOUR HELP. 1354 01:12:08,191 --> 01:12:09,192 ALL RIGHT. 1355 01:12:09,192 --> 01:12:10,193 WILL YOU HELP ME? YEAH. 1356 01:12:10,193 --> 01:12:11,895 OK. COOL. ALL RIGHT. 1357 01:12:33,249 --> 01:12:35,452 Goodwin: ENTER. 1358 01:12:38,522 --> 01:12:39,856 MISS JONES. 1359 01:12:39,856 --> 01:12:43,359 YEAH, UH, CAN I TALK TO YOU FOR A MOMENT? 1360 01:12:45,729 --> 01:12:48,465 WELL, AS WE ALL KNOW, THE CAMPUS IS ABUZZ 1361 01:12:48,465 --> 01:12:52,402 WITH THE NEWS OF NAOMI PRESTON'S UNTIMELY DEMISE. 1362 01:12:52,402 --> 01:12:54,270 NOW, THERE'S A JUICY STORY. 1363 01:12:54,270 --> 01:12:56,673 A GIRL IS RAPED BY HER BOYFRIEND, 1364 01:12:56,673 --> 01:12:59,476 THERE'S A TERRIBLE SCANDAL, HE GETS ARRESTED, 1365 01:12:59,476 --> 01:13:00,644 AND SHE CAN'T TAKE THE PRESSURE, 1366 01:13:00,644 --> 01:13:01,945 SO SHE DRINKS HERSELF TO DEATH 1367 01:13:01,945 --> 01:13:04,080 OR TAKES TOO MANY SLEEPING PILLS OR-- 1368 01:13:04,080 --> 01:13:07,216 OR SOMETHING. SOMETHING TAWDRY AND USELESS. 1369 01:13:07,216 --> 01:13:10,019 IT'S A REAL SHOCKER. 1370 01:13:10,019 --> 01:13:11,421 AND WE'VE ALL BEEN HAVING QUITE A TIME WITH IT, 1371 01:13:11,421 --> 01:13:12,656 HAVEN'T WE? 1372 01:13:12,656 --> 01:13:14,223 AND YOU'RE GONNA LOVE THIS, BECAUSE TODAY 1373 01:13:14,223 --> 01:13:17,093 WE'RE GONNA TALK ABOUT THE GENESIS OF THESE TALES, 1374 01:13:17,093 --> 01:13:21,097 WHERE THEY GET STARTED, WHY THEY GET STARTED. 1375 01:13:21,097 --> 01:13:22,899 MR. WEBB... 1376 01:13:22,899 --> 01:13:25,401 PERHAPS YOU HAVE SOME INSIGHTS. 1377 01:13:25,401 --> 01:13:28,337 HOW DO THESE STORIES GET GOING? 1378 01:13:28,337 --> 01:13:31,040 I DON'T KNOW. THEY JUST HAPPEN. 1379 01:13:31,040 --> 01:13:32,976 HEH. THEY JUST HAPPEN? 1380 01:13:32,976 --> 01:13:34,844 IS THAT THE BEST YOU CAN DO, WEBB? 1381 01:13:34,844 --> 01:13:36,580 A COUPLE OF LIVES ARE RUINED, 1382 01:13:36,580 --> 01:13:38,047 THE ENTIRE CAMPUS IS IN AN UPROAR, 1383 01:13:38,047 --> 01:13:40,183 AND ALL YOU CAN SAY IS SHIT HAPPENS? 1384 01:13:40,183 --> 01:13:41,284 'CAUSE I HAVE TO SAY, WEBB, 1385 01:13:41,284 --> 01:13:42,686 USUALLY YOU'RE A LITTLE MORE GLIB. 1386 01:13:42,686 --> 01:13:46,490 ALL THAT DEEP THEORY ABOUT THE BIBLE AND HUMAN NATURE 1387 01:13:46,490 --> 01:13:47,757 AND GOSSIP IS FUN. 1388 01:13:47,757 --> 01:13:49,726 USUALLY YOU HAVE JUST PLENTY TO SAY. 1389 01:13:49,726 --> 01:13:52,195 I'D THINK YOU'D BE PROUD OF YOUR ACCOMPLISHMENT. 1390 01:13:52,195 --> 01:13:53,597 MAYBE WANNA BRAG ABOUT IT. 1391 01:13:53,597 --> 01:13:56,833 I--I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 1392 01:13:56,833 --> 01:13:59,503 SO, WHAT YOU'RE SAYING IS HE MADE IT UP. 1393 01:13:59,503 --> 01:14:00,770 THAT'S THE RUMOR. 1394 01:14:00,770 --> 01:14:02,606 THE ENTIRE DATE-RAPE SCENARIO 1395 01:14:02,606 --> 01:14:04,307 IS A FIGMENT OF MR. WEBB'S IMAGINATION, 1396 01:14:04,307 --> 01:14:05,875 AND WE FELL FOR IT. 1397 01:14:05,875 --> 01:14:08,044 THAT'S NOT WHAT HAPPENED. THAT'S NOT WHAT HAPPENED. 1398 01:14:08,044 --> 01:14:10,113 WHY DON'T YOU TELL US WHAT HAPPENED, WEBB? 1399 01:14:10,113 --> 01:14:13,983 JONES IS THE ONE WHO STARTED THAT RUMOR. 1400 01:14:13,983 --> 01:14:15,251 SO, YOU TRY AND TIE ME TO THAT, 1401 01:14:15,251 --> 01:14:16,586 I WAS COMPLETELY UNINVOLVED. 1402 01:14:16,586 --> 01:14:18,254 SHE'S DEAD, YOU ASSHOLE. 1403 01:14:18,254 --> 01:14:19,355 THAT'S NOT MY FAULT. 1404 01:14:19,355 --> 01:14:20,490 MURDERER. 1405 01:14:20,490 --> 01:14:22,859 HE'S A MURDERER. 1406 01:14:23,860 --> 01:14:24,894 [MUTTERING] 1407 01:14:26,429 --> 01:14:28,798 LISTEN TO YOU PEOPLE. 1408 01:14:28,798 --> 01:14:30,166 YOU'RE THE ONES WHO TOLD THAT STORY. 1409 01:14:30,166 --> 01:14:34,838 PASSING IT AROUND, HAVING THE TIME OF YOUR LIVES. 1410 01:14:34,838 --> 01:14:37,140 YOU'RE THE ONES WHO ARE RESPONSIBLE. 1411 01:14:42,445 --> 01:14:43,647 IDIOTS. 1412 01:14:43,647 --> 01:14:45,615 I THINK YOU'VE PROVEN YOUR THESIS, WEBB. 1413 01:14:45,615 --> 01:14:48,618 GOSSIP IS LOADS OF FUN. 1414 01:15:12,742 --> 01:15:15,144 GET OUT HERE, JONES. 1415 01:15:16,145 --> 01:15:18,548 Derrick: TRAVIS. 1416 01:15:30,459 --> 01:15:31,961 WHAT'S GOIN' ON HERE? 1417 01:15:31,961 --> 01:15:33,096 WARRANT. 1418 01:15:35,498 --> 01:15:36,766 ARE MY ROOMMATES HERE? 1419 01:15:36,766 --> 01:15:38,968 UP ON THE ROOF. 1420 01:15:47,176 --> 01:15:48,177 YOU TOLD GOODWIN? 1421 01:15:48,177 --> 01:15:49,445 YEAH. YEAH, I DID. 1422 01:15:49,445 --> 01:15:50,647 AH, DO YOU-- 1423 01:15:50,647 --> 01:15:51,881 DO YOU KNOW WHAT THIS DOES TO ME, JONES? 1424 01:15:51,881 --> 01:15:52,982 DERRICK, THE COPS FOUND OUT ABOUT DANBURY. 1425 01:15:52,982 --> 01:15:54,751 THEY KNEW I WAS ASKING ABOUT HER. 1426 01:15:54,751 --> 01:15:55,952 YOU GOT YOURSELF INTO THAT MESS! 1427 01:15:55,952 --> 01:15:57,453 I DIDN'T TELL YOU TO GO UP THERE. 1428 01:15:57,453 --> 01:15:58,521 I'M NOT TAKING THE FALL FOR THIS. 1429 01:15:58,521 --> 01:15:59,889 IF WHAT WE DID HAD ANYTHING TO DO 1430 01:15:59,889 --> 01:16:02,458 WITH NAOMI'S DEATH, WE HAVE TO ADMIT IT. 1431 01:16:03,326 --> 01:16:05,228 YOU WANNA GO THIS ALONE, YOU BE MY GUEST, 1432 01:16:05,228 --> 01:16:08,164 BUT THEN GET THE HELL OUT OF MY APARTMENT. 1433 01:16:28,451 --> 01:16:30,687 HAVE YOU SEEN THAT BEFORE? 1434 01:16:30,687 --> 01:16:31,788 YEAH, OF COURSE. 1435 01:16:31,788 --> 01:16:33,890 I--I SAW THIS IN NAOMI'S BEDROOM. 1436 01:16:33,890 --> 01:16:38,394 OFFICER STEVENS JUST FOUND THIS IN YOUR SOCK DRAWER. 1437 01:16:38,394 --> 01:16:40,029 IN MY SOCK DRAWER? 1438 01:16:40,029 --> 01:16:40,964 MM-HMM. 1439 01:16:40,964 --> 01:16:42,398 NO, NO, NO. THIS IS MY ROOM UP HERE. 1440 01:16:42,398 --> 01:16:43,967 THAT'S MY ROOM. 1441 01:16:43,967 --> 01:16:47,036 THAT'S OFFICER STEVENS. 1442 01:16:54,678 --> 01:16:57,647 I HAVE TO SHOW YOU SOMETHING. 1443 01:16:59,548 --> 01:17:01,317 YOU KNOW, I ADMIT... 1444 01:17:01,317 --> 01:17:03,653 I SHOULD HAVE TOLD YOU ABOUT THIS FROM THE BEGINNING, 1445 01:17:03,653 --> 01:17:05,421 BUT I HAVE A WEAKNESS FOR MY FRIENDS. 1446 01:17:05,421 --> 01:17:06,990 AND I WANTED TO PROTECT TRAVIS, 1447 01:17:06,990 --> 01:17:10,093 BUT HE'S CLEARLY-- HE'S JUST OFF. 1448 01:17:11,861 --> 01:17:14,130 COME LOOK AT THIS. 1449 01:17:24,040 --> 01:17:27,276 THIS GUY'S BEEN OBSESSED WITH NAOMI. 1450 01:17:27,276 --> 01:17:29,278 I MEAN, I ACTUALLY-- I THINK HE'S STALKING HER. 1451 01:17:29,278 --> 01:17:32,716 AND NOW, HE'S TRYING TO PUT THE BLAME ON ME. 1452 01:17:32,716 --> 01:17:34,017 YOU KNOW, I'VE ALWAYS HELPED TRAVIS, 1453 01:17:34,017 --> 01:17:36,319 BUT I'M NOT GOING DOWN FOR THIS. I'M NOT. HEH. 1454 01:17:38,587 --> 01:17:40,523 BUT, I MEAN, LOOK AT THIS-- THIS WALL. 1455 01:17:40,523 --> 01:17:44,060 I MEAN, HOW--HOW SICK AND DEMENTED DO YOU HAVE TO BE 1456 01:17:44,060 --> 01:17:45,762 TO COME UP WITH SOMETHING LIKE THIS? 1457 01:17:45,762 --> 01:17:48,164 I MEAN, THE GUY'S A SOCIOPATH. 1458 01:17:50,967 --> 01:17:53,136 THERE'S NAOMI. MY GOD. HEH. 1459 01:17:53,136 --> 01:17:55,905 LOOK WHAT HE DID TO HER FACE. 1460 01:17:55,905 --> 01:17:58,975 WHO WOULD DO SOMETHIN' LIKE THIS? 1461 01:18:04,013 --> 01:18:06,282 THIS ISN'T THE WORK OF A SANE PERSON. 1462 01:18:06,282 --> 01:18:07,283 WHERE IS HE? 1463 01:18:07,283 --> 01:18:09,452 HE BOLTED. 1464 01:18:09,452 --> 01:18:11,788 GET OUT IN THE NEIGHBORHOOD. SEE IF YOU CAN FIND HIM. 1465 01:18:11,788 --> 01:18:14,457 YOU, UH, YOU WANT ME TO TAKE THIS DOWN? 1466 01:18:14,457 --> 01:18:16,993 LET ME KEEP IT. 1467 01:18:17,794 --> 01:18:18,828 WAIT A SECOND. 1468 01:18:18,828 --> 01:18:20,196 YEAH, BUT YOU DON'T NEED THIS. 1469 01:18:20,196 --> 01:18:22,999 I MEAN, THIS IS MINE. IT'S MY BRUSH. 1470 01:18:22,999 --> 01:18:24,934 I'M GONNA FIND TRAVIS. 1471 01:18:24,934 --> 01:18:27,070 HE'S GOT A VERY INTERESTING HOBBY. 1472 01:18:27,070 --> 01:18:28,537 BUT YOU KNOW WHAT I SEE? 1473 01:18:28,537 --> 01:18:30,940 I SEE SOMEONE WHO HAD A MOTIVE. 1474 01:18:30,940 --> 01:18:32,942 PLUS, I CAN PUT HIM AT THE SCENE OF THE CRIME. 1475 01:18:32,942 --> 01:18:34,944 PLUS, HIS FINGERPRINTS ARE EVERYWHERE. 1476 01:18:34,944 --> 01:18:37,080 PLUS, HE'S GOT A SCRATCH ON HIS FACE. 1477 01:18:37,080 --> 01:18:39,849 THIS AND THE DEAD GIRL'S GOT SKIN 1478 01:18:39,849 --> 01:18:41,484 UNDERNEATH HER FINGERNAILS. 1479 01:18:41,484 --> 01:18:44,587 AND I'M BETTING THAT THE DNA FROM YOUR HAIR, 1480 01:18:44,587 --> 01:18:46,890 IT'S GONNA MATCH. 1481 01:18:47,690 --> 01:18:49,959 GET OUT OF MY FACE. 1482 01:18:49,959 --> 01:18:53,262 I CAN'T TOUCH YOU WITHOUT A WARRANT, 1483 01:18:53,262 --> 01:18:54,563 BUT I DON'T THINK IT'S GONNA BE TOO HARD 1484 01:18:54,563 --> 01:18:55,631 TO GET ONE. 1485 01:18:55,631 --> 01:18:58,001 I'M GONNA LEAVE A CAR OUT FRONT. 1486 01:18:58,001 --> 01:19:01,004 DON'T TRY TO GO ANYWHERE. 1487 01:19:13,682 --> 01:19:16,052 [INDISTINCT CHATTER ON REWIND] 1488 01:19:32,501 --> 01:19:34,537 SON OF A BITCH! 1489 01:20:17,546 --> 01:20:18,547 COME ON, COME ON. 1490 01:20:19,748 --> 01:20:22,952 [TELEPHONE RINGS] 1491 01:20:23,752 --> 01:20:25,388 [RING] 1492 01:20:26,689 --> 01:20:27,891 [RING] 1493 01:20:46,709 --> 01:20:48,644 DERRICK! 1494 01:20:48,644 --> 01:20:49,913 WHERE ARE YOU GOIN'? 1495 01:20:51,447 --> 01:20:53,582 HEY! 1496 01:20:53,582 --> 01:20:55,418 UH... 1497 01:20:55,418 --> 01:20:59,155 ACTUALLY, I'M GOIN' SKIING IN SWITZERLAND, THANKS TO YOU. 1498 01:20:59,155 --> 01:21:01,424 I MEAN, PLANTING THAT PICTURE IN MY SOCK DRAWER, 1499 01:21:01,424 --> 01:21:04,427 THAT WAS, UH, THAT WAS A SUPER IDEA. 1500 01:21:04,427 --> 01:21:06,829 I WAS GONNA TELL 'EM. 1501 01:21:06,829 --> 01:21:08,631 THEN I WOKE UP. 1502 01:21:08,631 --> 01:21:11,034 YOU MUST THINK I'M STUPID. 1503 01:21:11,034 --> 01:21:12,401 I MEAN, THAT WAS YOUR IDEA. 1504 01:21:12,401 --> 01:21:14,303 THAT WAS YOUR PLAN, TO MAKE 'EM THINK I DID IT. 1505 01:21:14,303 --> 01:21:15,871 OH, I BETRAYED YOU? THAT'S PERFECT. 1506 01:21:15,871 --> 01:21:18,374 OH, MAN, YOU GET AWAY WITH EVERYTHING! 1507 01:21:18,374 --> 01:21:19,242 WHAT IS THAT? 1508 01:21:19,242 --> 01:21:20,609 YOU'RE NOT GONNA GET AWAY WITH IT 1509 01:21:20,609 --> 01:21:21,610 THIS TIME, MAN! 1510 01:21:21,610 --> 01:21:22,611 WHOO, HOO! HEH HEH. 1511 01:21:22,611 --> 01:21:23,612 GET INSIDE. 1512 01:21:23,612 --> 01:21:25,748 FREAK. YOU'RE A FREAK. 1513 01:21:25,748 --> 01:21:29,618 YEAH, I'M A FREAK. I'M CRAZY! 1514 01:21:29,618 --> 01:21:30,954 I'M A MENACE! IS THAT RIGHT? 1515 01:21:30,954 --> 01:21:31,955 TRAVIS-- 1516 01:21:31,955 --> 01:21:32,956 GET INSIDE! 1517 01:21:32,956 --> 01:21:33,957 WHAT'S THE POINT OF THIS? 1518 01:21:33,957 --> 01:21:34,958 GET INSIDE! 1519 01:21:34,958 --> 01:21:35,959 WHAT'S THE POINT OF THIS? 1520 01:21:35,959 --> 01:21:37,093 I'M NOT GOIN' TO JAIL. 1521 01:21:37,093 --> 01:21:38,361 THEY GOT NO CASE. THEY HAVE NO CASE. 1522 01:21:38,361 --> 01:21:41,097 THAT'S WHY YOU'RE RUNNIN', RIGHT? 1523 01:21:41,097 --> 01:21:43,066 I'M TELLING YOU, 1524 01:21:43,066 --> 01:21:44,800 IN THE HANDS OF A REALLY EXPENSIVE LAWYER, 1525 01:21:44,800 --> 01:21:46,402 IT'LL ALL GO TO SHIT, TRAVIS. 1526 01:21:48,204 --> 01:21:50,806 DERRICK! TRAVIS, I SAW HIM. HE--HE HAS A GUN. 1527 01:21:50,806 --> 01:21:52,275 YEAH, THANKS FOR THE NEWS FLASH, JONES. 1528 01:21:52,275 --> 01:21:54,377 SHUT UP. 1529 01:21:54,377 --> 01:21:55,178 SIT DOWN! 1530 01:21:55,178 --> 01:21:56,345 TRAVIS, WHAT ARE YOU DOING? 1531 01:21:56,345 --> 01:21:57,913 HE WAS GONNA GET AWAY WITH IT. 1532 01:21:57,913 --> 01:21:59,548 I DIDN'T DO ANYTHING, YOU PSYCHO. 1533 01:21:59,548 --> 01:22:01,184 DERRICK, SHUT UP. 1534 01:22:01,184 --> 01:22:02,351 TRAVIS, GIVE ME THE GUN. 1535 01:22:02,351 --> 01:22:04,287 HE KILLED HER. YOU KNOW HE KILLED HER. 1536 01:22:04,287 --> 01:22:05,921 TRAVIS, I KNOW IF YOU SHOOT HIM, 1537 01:22:05,921 --> 01:22:07,156 THEY'RE GONNA ARREST YOU. 1538 01:22:07,156 --> 01:22:09,725 TRAVIS, ARE YOU LISTENING TO ME? 1539 01:22:09,725 --> 01:22:11,060 PUT IT DOWN! 1540 01:22:11,060 --> 01:22:14,330 NO. THEN HE WILL GET AWAY WITH IT. 1541 01:22:16,132 --> 01:22:18,601 WELL, THEN LET HIM. 1542 01:22:24,340 --> 01:22:28,444 TRAVIS, WE DON'T NEED TO BE A PART OF THIS ANYMORE. 1543 01:22:29,778 --> 01:22:32,081 I KNOW YOU. 1544 01:22:32,915 --> 01:22:35,351 YOU CAN BE BETTER THAN HE IS. 1545 01:22:37,253 --> 01:22:39,855 TRAVIS, PUT IT DOWN. 1546 01:22:39,855 --> 01:22:41,624 COME ON. 1547 01:22:55,938 --> 01:22:57,140 [GUNSHOT] 1548 01:23:01,977 --> 01:23:04,180 Jones: TRAVIS. 1549 01:23:11,854 --> 01:23:13,656 TRAVIS, CALL SOMEBODY. 1550 01:23:27,770 --> 01:23:30,873 911, TRAVIS. 1551 01:23:30,873 --> 01:23:32,075 TRAVIS! 1552 01:23:35,044 --> 01:23:36,445 LOOK AT ME. YOU'RE GONNA BE OK. 1553 01:23:36,445 --> 01:23:39,648 IT'S OK. IT'S OK. IT'S OK. IT'S OK. 1554 01:23:39,648 --> 01:23:41,250 BREATHE. BREATHE. 1555 01:23:43,586 --> 01:23:44,853 SHIT. 1556 01:23:44,853 --> 01:23:46,722 YEAH, WE NEED AN AMBULANCE. SOMEONE'S BEEN SHOT. 1557 01:23:46,722 --> 01:23:48,257 AM I GONNA BE OK? 1558 01:23:48,257 --> 01:23:52,195 YEAH, ABSOLUTELY. NO, ABSOLUTELY. 1559 01:23:52,195 --> 01:23:55,064 ABSOLUTELY. COME ON. BREATHE. OK? 1560 01:23:55,064 --> 01:23:58,467 NO, NO. NO! COME ON. COME ON, JONES. 1561 01:23:58,467 --> 01:24:01,870 COME ON. COME ON. COME ON. JONES? 1562 01:24:01,870 --> 01:24:04,673 JONES? JONES? 1563 01:24:08,744 --> 01:24:11,780 THE COPS ARE DOWNSTAIRS. THEY PROBABLY HEARD THE SHOT. 1564 01:24:11,780 --> 01:24:13,116 THEY'RE PROBABLY ON THEIR WAY UP RIGHT NOW. 1565 01:24:13,116 --> 01:24:14,983 WAIT! 1566 01:24:14,983 --> 01:24:18,954 WAIT. WHAT ARE WE GONNA TELL THE COPS? 1567 01:24:18,954 --> 01:24:20,489 WE GOTTA GET OUR STORIES STRAIGHT. 1568 01:24:20,489 --> 01:24:22,958 OUR STORY? WHAT'S THE MATTER WITH YOU? 1569 01:24:22,958 --> 01:24:24,293 TRAVIS! 1570 01:24:24,293 --> 01:24:26,095 WE JUST, UH-- WE JUST GOTTA TELL 'EM 1571 01:24:26,095 --> 01:24:27,496 WHAT HAPPENED. 'CAUSE, UH-- 1572 01:24:27,496 --> 01:24:29,232 THIS WAS-- THIS WAS AN ACCIDENT. 1573 01:24:29,232 --> 01:24:30,333 NO, MAN, YOU KNOW WHAT I'M GONNA DO? 1574 01:24:30,333 --> 01:24:31,434 I SHOULD TELL 'EM YOU KILLED HER. 1575 01:24:31,434 --> 01:24:32,635 THAT'S WHAT I SHOULD DO. 1576 01:24:32,635 --> 01:24:33,436 DAMN IT, TRAVIS! 1577 01:24:33,436 --> 01:24:34,437 DON'T BE NUTS NOW, ALL RIGHT? 1578 01:24:34,437 --> 01:24:35,438 WE JUST GOTTA TELL 'EM THAT-- 1579 01:24:35,438 --> 01:24:36,639 TELL 'EM WHAT, THE TRUTH? 1580 01:24:36,639 --> 01:24:37,973 WHY? YOU DON'T! 1581 01:24:37,973 --> 01:24:39,242 LYING, RAPING NAOMI! 1582 01:24:39,242 --> 01:24:40,509 ALL RIGHT, ALL RIGHT, WAIT! 1583 01:24:40,509 --> 01:24:41,510 IF YOU WANT ME TO TELL THE COPS 1584 01:24:41,510 --> 01:24:43,579 EVERYTHING I DID, I WILL. 1585 01:24:43,579 --> 01:24:45,181 BUT YOU GOTTA TELL 'EM THAT I DIDN'T KILL JONES. 1586 01:24:45,181 --> 01:24:46,649 I'M GONNA LET 'EM IN. 1587 01:24:46,649 --> 01:24:48,451 SHIT! 1588 01:24:48,451 --> 01:24:51,287 ALL RIGHT! I RAPED NAOMI! 1589 01:24:51,287 --> 01:24:52,388 AND THAT BITCH DESERVED IT, 1590 01:24:52,388 --> 01:24:55,924 BUT I DIDN'T KILL ANYBODY! 1591 01:24:55,924 --> 01:24:57,793 [TAPE REWINDING] 1592 01:24:57,793 --> 01:24:58,861 I RAPED NAOMI! 1593 01:24:58,861 --> 01:25:00,829 AND THAT BITCH DESERVED IT, 1594 01:25:00,829 --> 01:25:03,199 BUT I DIDN'T KILL ANYBODY! 1595 01:25:10,406 --> 01:25:13,276 WILL WONDERS NEVER CEASE? 1596 01:25:13,276 --> 01:25:17,180 DERRICK WEBB TELLS THE TRUTH. 1597 01:25:39,635 --> 01:25:41,604 WHAT IS THIS? 1598 01:25:50,279 --> 01:25:52,315 HELLO, DERRICK. 1599 01:25:54,517 --> 01:25:56,252 NAOMI. 1600 01:25:59,087 --> 01:26:01,089 YOU KNOW, WHEN JONES BROUGHT THIS TO US, 1601 01:26:01,089 --> 01:26:03,226 I NEVER THOUGHT IT WOULD WORK. 1602 01:26:03,226 --> 01:26:04,460 AND THE OTHER NIGHT, 1603 01:26:04,460 --> 01:26:06,295 WHEN YOU WERE POUNDING THE SHIT OUT OF ME, 1604 01:26:06,295 --> 01:26:08,264 I THOUGHT TO MYSELF, THIS HAD BETTER WORK. 1605 01:26:08,264 --> 01:26:10,266 BUT YOU KNOW WHAT? 1606 01:26:10,266 --> 01:26:12,568 IT WAS WORTH IT. BECAUSE IT WORKED BETTER 1607 01:26:12,568 --> 01:26:15,704 THAN I COULD HAVE EVER POSSIBLY IMAGINED. 1608 01:26:17,506 --> 01:26:20,343 WHO'S THE VICTIM NOW? 1609 01:26:22,144 --> 01:26:23,579 DERRICK, THIS IS MATT CURTIS. 1610 01:26:23,579 --> 01:26:27,049 HE DOES A LITTLE DRIVING FOR NAOMI'S DAD. 1611 01:26:27,049 --> 01:26:30,619 THIS IS MARK. HE'S IN MY CALC CLASS. 1612 01:26:41,297 --> 01:26:43,466 THANKS FOR YOUR HELP, PROFESSOR. 1613 01:26:45,100 --> 01:26:47,436 SEE YOU AT THE PLAZA. 1614 01:26:51,674 --> 01:26:53,309 IT TURNS OUT, JUST THIS ONCE, 1615 01:26:53,309 --> 01:26:55,478 I DID LIE BETTER THAN YOU. 1616 01:26:57,045 --> 01:27:00,048 WHAT ARE PEOPLE GONNA THINK? WHAT-- 1617 01:27:00,816 --> 01:27:03,652 WHAT ARE THEY GONNA SAY ABOUT ME? 1618 01:27:03,652 --> 01:27:06,689 IT'S ONLY WORDS. HOW BAD CAN IT BE? 1619 01:27:11,727 --> 01:27:14,730 CAPTIONING MADE POSSIBLE BY WARNER BROS. 1620 01:27:14,730 --> 01:27:17,733 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 1621 01:27:17,733 --> 01:27:24,640 * THERE'S AN EMPTY PLACE INSIDE THAT IS HURTING ME * 1622 01:27:24,640 --> 01:27:30,913 * A PLACE THAT KEEPS MY HEART OUT ON ITS OWN * 1623 01:27:30,913 --> 01:27:36,118 * AN EMPTY LUNG THAT WON'T GIVE THE WIND TO SPEAK AT ME * 1624 01:27:36,118 --> 01:27:39,522 * HOW FAR CAN I BE * 1625 01:27:39,522 --> 01:27:43,926 * FROM HOME? * 1626 01:27:43,926 --> 01:27:50,032 * WHY YOU GOTTA BE SO MEAN TO ME? * 1627 01:27:50,032 --> 01:27:56,605 * WHY YOU GOTTA DRAG ME DOWN JUST TO MAKE ME SEE? * 1628 01:27:56,605 --> 01:27:59,007 * YOU KNOW I DON'T LISTEN GOOD * 1629 01:27:59,007 --> 01:28:02,845 * AND I'M ALWAYS IN NEED * 1630 01:28:02,845 --> 01:28:08,984 * WHY YOU GOTTA BE SO MEAN TO ME? * 1631 01:28:08,984 --> 01:28:16,359 * DO YOU THINK THAT IT GOT UP AND LEFT FOR GOOD THIS TIME? * 1632 01:28:16,359 --> 01:28:21,864 * A CROWD OF FACELESS STRANGERS MOVIN' ON * 1633 01:28:21,864 --> 01:28:27,970 * A FEELING THAT YOU LEFT IT ALL BEHIND YOU NOW * 1634 01:28:27,970 --> 01:28:31,907 * THAT IT DOESN'T HURT SOMEHOW * 1635 01:28:31,907 --> 01:28:34,910 * TO KNOW * 1636 01:29:00,903 --> 01:29:07,743 * SO OPEN UP THE BOOK THAT YOU KEEP DEEP INSIDE * 1637 01:29:07,743 --> 01:29:14,349 * LET THE PAGES YELLOW IN THE SUN * 1638 01:29:14,349 --> 01:29:19,354 * SHOW THEM THAT YOU'RE NOT AFRAID TO LET THEM SEE * 1639 01:29:19,354 --> 01:29:23,158 * HOW FAR YOU CAN BE * 1640 01:29:23,158 --> 01:29:27,596 * FROM HOME * 1641 01:29:27,596 --> 01:29:33,636 * WHY YOU GOTTA BE SO MEAN TO ME? * 1642 01:29:33,636 --> 01:29:40,008 * WHY YOU GOTTA DRAG ME DOWN JUST TO MAKE ME SEE? * 1643 01:29:40,008 --> 01:29:45,948 * YOU KNOW I DON'T LISTEN GOOD AND I'M ALWAYS IN NEED * 1644 01:29:45,948 --> 01:29:51,754 * WHY YOU GOTTA BE SO MEAN TO ME? * 1645 01:29:51,754 --> 01:29:58,393 * WHY YOU GOTTA BE? WHY YOU GOTTA BE? * 1646 01:29:58,393 --> 01:30:04,700 * WHY YOU GOTTA BE? WHY YOU GOTTA BE? * 1647 01:30:04,700 --> 01:30:10,973 * WHY YOU GOTTA BE SO MEAN TO ME? * 1648 01:30:10,973 --> 01:30:14,009 * OHH *